Mid-Century Wall Sculpture by Pia Manu, Belgium 1960s
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A powerful and architecturally expressive Brutalist wall sculpture designed by Pia Manu, the Belgian artistic workshop led by Jules Dewaele, during the 1960s. Known for their raw materiality and sculptural experimentation, Pia Manu pieces occupy a unique place in postwar European design, merging art, craft, and industrial aesthetics.
This striking composition is constructed from concrete elements set within a cast‑iron frame, creating a dynamic interplay between weight, texture, and negative space. The rough, tactile surfaces and irregular forms embody the Brutalist ethos, celebrating the honesty of materials and the beauty of imperfection. The horizontal layout gives the work a strong graphic presence, making it both an artwork and an architectural statement.
Pia Manu’s creations are increasingly sought after for their bold visual language and their ability to anchor contemporary interiors with depth and character. This sculpture is a rare and compelling example of the studio’s mid‑century output; raw, poetic, and unmistakably modern.
Dimensions:
Height: 45 cm
Width: 173 cm
Depth: 6 cm
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"Prior" advertising sign
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Old Italian advertising for cigar brand "Prior" sign in tinplate.
Made by S.A.G. De-Andries Sampierdarena. Dated 1924.
Dimensions:
Height: 73 cm
Width: 52 cm
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Original Eiffel Tower Trash Can from the Champ‑de‑Mars, France 1960s
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A rare and culturally significant design object, this 1960s trash can originates from the public squares surrounding the Eiffel Tower, an authentic fragment of Parisian urban history. Few examples of these bins have survived, making this piece an exceptional collectible for lovers of French design, architectural heritage, and mid‑century public furniture.
Crafted in metal with a distinctive geometric brass top, the bin features an embossed depiction of the Eiffel Tower, a proud emblem of the city and a detail that immediately situates the object in its original context. The lower section is constructed from robust metal mesh, engineered for durability in high‑traffic public spaces. Its industrial character is softened by the iconic Parisian motif, creating a compelling dialogue between utility and symbolism.
These bins were once part of the everyday visual landscape of the Champ‑de‑Mars and the esplanades surrounding the Tower. Today, removed from their functional role, they stand as sculptural relics of mid‑century Paris, objects that witnessed decades of tourism, city life, and cultural change. Their presence in a contemporary interior or garden brings with it a touch of urban authenticity and a direct connection to one of the world’s most recognizable landmarks.
Perfect as a decorative accent, a conversation piece, or a sculptural object in its own right, this bin offers a rare opportunity to own a genuine artifact from the heart of Paris.
Dimensions:
Height: 60 cm
Width: 42 cm
Depth: 25 cm
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Wooden and wrought Iron water, grain bucket, circa 1860
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A nice wooden and wrought iron water, grain bucket, fabulous patina on the wood, circa 1860. with handles is on both sides and a raised hand center carrier, triple banded iron slats for the individual wood slats.
Dimensions:
Height: 36 cm
Diameter: 34 cm
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Romantic Make‑Up Mirror with Side Storage, France 1850s
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A charming and evocative example of mid‑19th‑century French romantic design, this adjustable make‑up mirror combines graceful craftsmanship with practical ingenuity. Created around the 1850s, it reflects the intimate rituals of daily life in the Romantic era, when personal grooming objects were designed not only for function but also for beauty and refinement.
The mirror is mounted on a delicately shaped wooden stand, its frame gently tilting to accommodate different angles—an early and elegant solution for adjustable viewing. On either side sit two small storage boxes, perfect for holding jewelry, hair accessories, or cosmetics. Their presence adds both symmetry and convenience, transforming the piece into a complete dressing companion.
The woodwork displays the soft curves, turned elements, and warm patina characteristic of French provincial craftsmanship of the period. Time has enriched the surface with depth and character, enhancing the mirror’s sense of history and intimate charm.
Originally used on a vanity or dressing table, this piece now serves beautifully as a decorative accent, a collector’s item, or a functional addition to a romantic or antique‑inspired interior. Its scale, practicality, and poetic presence make it a delightful reminder of 19th‑century domestic elegance.
A graceful and authentic French make‑up mirror from the 1850s—rich in charm, craftsmanship, and romantic antique appeal.
Dimensions:
Height: 140 cm
Width: 47 cm
Depth: 47 cm
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Antique Rustic Wooden Trough, France, 19th Century
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A powerful example of rural French craftsmanship, this 19th‑century wooden trough embodies the utilitarian beauty and tactile authenticity of everyday objects shaped by hand and softened by long use. Its form is direct and functional; hewn from a solid block of wood, yet time has transformed it into a sculptural object with deep visual presence.
Troughs like this were essential tools in the agricultural life of 19th‑century France, used for food preparation, storage, or animal feeding. The hand‑carved interior, irregular edges, and tool marks speak to a world in which objects were made by necessity, not ornament, and where the maker’s hand remains visible in every plane and contour.
The surface has developed a rich, naturally weathered patina: softened corners, worn grain, and age‑earned imperfections that give the piece its unmistakable character. This depth of surface is impossible to replicate artificially. It reflects decades, if not more, of daily handling, exposure, and use, making the trough a compelling artifact of rural life.
Though born of utility, the trough now reads as a sculptural object. Its elongated form and raw texture make it a striking accent in contemporary spaces. It works beautifully as a centrepiece on a dining or console table, a display vessel for dried botanicals or sculptural objects, a wabi‑sabi element in minimalist interiors or as a grounding rustic counterpoint to modern design. Its simplicity allows it to harmonize with a wide range of aesthetics.
Antique troughs of this age and integrity are increasingly sought after for their authenticity and sculptural quality. This example, with its strong form and richly developed patina, is a particularly evocative piece; an object that carries the quiet poetry of 19th‑century provincial life into the present.
Dimensions:
Height: 21 cm
Width: 89 cm
Depth: 42 cm
Ref. 23-0146
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Romantic Victorian Painted Planter on Stand, United Kingdom, 19th Century
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A romantic 19th‑century Victorian planter from the United Kingdom, richly decorative and full of period charm. Elevated on three slender legs joined by a shaped stretcher, the piece combines elegance with the whimsical storytelling so characteristic of Victorian decorative arts.
The cylindrical planter is adorned with hand‑painted motifs—floral garlands, soft botanical detailing, and a central figurative scene that evokes the sentimental imagery beloved in the mid‑ to late‑Victorian era. The colours retain a gentle warmth, enhanced by age and careful preservation. The stand’s tripod form gives the piece a graceful verticality, while the stretcher echoes the painted decoration, creating a unified and harmonious silhouette.
Inside, a fitted metal liner allows the planter to function as intended while protecting the painted exterior. The combination of painted wood and metal reflects the Victorian fascination with ornamental yet practical household objects, designed to bring beauty into everyday domestic rituals.
Victorian interiors embraced decorative abundance, and planters such as this were prized as both functional vessels and artistic accents. They often stood in conservatories, drawing rooms, or hallways, where their painted surfaces and slender proportions added a touch of refinement and romance. This example captures that spirit perfectly—delicate, expressive, and unmistakably of its time.
With its poetic imagery and sculptural stance, the planter serves as a charming focal point in both traditional and eclectic interiors. Whether used for greenery or displayed as an objet d’art, it brings a sense of nostalgia and craftsmanship that enriches any space.
With its poetic imagery and sculptural stance, the planter serves as a charming focal point in both traditional and eclectic interiors. Whether used for greenery or displayed as an objet d’art, it brings a sense of nostalgia and craftsmanship that enriches any space.
Dimensions:
Height: 105 cm
Width: 32 cm
Depth: 32 cm
Ref. 23-0165
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Large rare antique statue of Saint Eligius, France ca. 1550
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France / 1550 / statue Saint Eligius / Antique / reliques
Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful patina due to its old age. The hand and staff are missing. A true treasure and historical piece. The intricate carvings on the robe showcase the artisan's talent, with every fold. The natural wood grain adds a touch of warmth and authenticity to this unique piece of relic art.
Saint Eligius, was a Frankish goldsmith, courtier, and bishop who was chief counsellor to Dagobert I and later Bishop of Noyon-Tournai. His deeds were recorded in Vita Sancti Eligii.
Eligius is best known for being the patron saint of horses and those who work with them. He is also the patron saint of goldsmiths, metalworkers, coin collectors, veterinarians, and the Royal Electrical and Mechanical Engineers, a corps of the British Army.
Dimensions:
Height: 112 cm
Width: 31 cm
Depth: 24 cm
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Antique French planter/jardinaire in cast iron, ca. 1850
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France / 1850 / planter / jardiniere / cast iron / antique
Exquisite planter/jardiniere made in France around 1850. This large planter was made in cast iron and stands on 4 elegant lion paw feet. The base is decorated with a plant motif and above that an open design with graceful curves and on both sides a detailed female mask.
This beautiful planter with intricately carved designs is the epitome of luxury and sophistication. Crafted with the finest attention to detail, this planter exudes elegance and charm, making it the perfect statement piece for any indoor or outdoor space. The material adds a touch of opulence, while the intricate carvings showcase the craftsmanship and artistry that went into creating this stunning piece.
Dimensions:
Height: 28 cm
Width: 40 cm
Depth: 27 cm
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A French polychrome and gilt wooden neo-Gothic church steeple with niche for saint statue, ca. 1800
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France / 1800 / Neo-Gothic steeple with niche for saint statue / wood / Neo-Gothic / 19th century
A very rare and large antique Neo-Gothic church steeple with niche for saint statue. The statue on the picture is not included. This exquisite piece was hand crafted in France in the 19th century. With very nice detailed wood carving in Neo-Gothic style and hand painted with gilted ornaments. This rare find was professionally restored.
This exquisite piece is a true testament to the skill and artistry of the finest artisans, who have poured their heart and soul into creating a work of art that is sure to leave a lasting impression on all who behold it. The intricate details of the carving are a sight to behold, with every curve and line meticulously crafted to perfection.
Dimensions:
Height: 370 cm
Width: 115 cm
Depth: 50 cm
Height niche: 193 cm
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Large Hollywood Regency style Deknudt mirror, Belgium ca. 1980
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Exquisite large rectangular Deknudt mirror with facet cut side panels and gold trim in Hollywood Regency style. Designed by Deknudt in the 1980s, Belgium. This mirror can be used both vertical and horizontal. Some small minor signs of use due to age.
The Belgian brand Deknudt, which has its origins in 1946, presents a fascinating selection of high-quality mirrors, which embody the fusion of aesthetics and functionality. Hailing from Belgium, DeKnudt specializes in decorative wall mirrors and elegant floor mirrors, each piece reflecting the evolution of modern design. But what really sets DeKnudt apart is their dedication to mirror mastery – a touch of artistry that enriches any space with brightness and elegance.
Dimensions:
Height: 101 cm
Width: 185 cm
Depth: 4 cm
Ref. 24-0262
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Antique copper Flemish disc candlestick from the 15th century
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Belgium / 15th century / candlestick / copper / antique / rustic
Beautiful copper candlestick from the 15th century made in Belgium. On a circular base that supports a barrel with rings and balusters, surmounted by a cup and a socket.
Crafted with precision and attention to detail, this luxurious piece exudes elegance and sophistication.
Dimensions:
Height: 14.5 cm
Width: 10 cm
Depth: 10 cm
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Mid-century teak mirror with shelve by De Coene, Belgium ca. 1960
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Dating back to the 1960s, this stunning mid-century modern mirror and matching floating shelf set beautifully showcases the legendary craftsmanship of the renowned Belgian manufacturer De Coene. Executed in richly grained teakwood, the set exemplifies the clean architectural lines and refined elegance that defined premium post-war Belgian design. The "De Coene frères" were celebrated pioneers in innovative wood-processing techniques, and this pair effortlessly demonstrates their mastery over form, material, and detail.
The rectangular wall mirror is framed in teak wood, accented by a subtle, inset metallic inner border that catches the light and adds a layer of sophisticated depth to the glass. It is perfectly complemented by a robust, wall-mounted floating shelf that features a masterfully tapered, aerodynamic silhouette. The exposed, layered construction on the shelf's profile reveals a beautiful linear patterning, showcasing De Coene's technical precision and artistic focus on raw material beauty.
Remaining in excellent vintage condition, this functional set offers an incredibly neat finish and a timeless aesthetic. Whether styled together as an elegant dressing or vanity area in a bedroom, or used as a high-impact statement piece in a minimalist hallway or entryway, this exceptional teak set brings a rich sense of mid-century sophistication and authentic Belgian design history into a contemporary home.
Dimensions mirror:
Heigth: 50 cm
Width: 45 cm
Depth: 2 cm
Dimensions shelve:
Height: 6 cm
Width: 46 cm
Depth: 17 cm
Ref. 24-0146
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Sophisticated Belgo Chrome graphical mirror, Belgium ca. 1980
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Belgium / 1980 / mirror / Belgo Chrome / metal / mid-century / vintage
Large Hollywood Regency mirror of copper and brass produced by Belga Chrome Belgium around 1980. With duo tone inlay and elegant geometric lines.
The interplay between the materials and lines creates a harmonious balance, allowing it to blend effortlessly with various color palettes and design themes. Its generous size ensures that it can be a centerpiece in your decor, while the dual-tone framing adds a unique character.
Small signs of use due to age.
Dimensions:
Height: 102 cm
Width: 86 cm
Depth: 2 cm
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Large hand carved Art Nouveau chimney mirror, France ca. 1910
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Unique Art Nouveau chimney mirror in oak, made in France around 1910. The oak frame is hand-carved and has the flowing, elegant design that is so characteristic of French Art Nouveau.
This beautiful mirror with its generous dimensions makes a true statement piece for any luxurious interior. The rich carved frame and timeless design meets modern elegance, ensuring that it remains a cherished piece for years to come.
Dimensions:
Height: 127 cm
Width: 208 cm
Depth: 3 cm
Length bottom: 205 cm
Ref. 24-0267
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French antique Candlestick in bronze, 16th century
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An antique bronze candlestick on an octagonal baseand with curved stem in different patterns. Crafted in the 16th century in France.
A timeless treasure to add sophistication to your dinner table.
Dimensions:
Height 17 cm
Width 9 cm
Depth 9 cm
Ref. 24-0384
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Iconic Cheval Dressing Mirror model 9954 by Thonet, Austria ca. 1904
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Beautiful and rare to find Cheval dressing mirror Model 9954 designed by Michael Thonet and manufacturered by Bistritz in 1904 in Wien, Austria. This swivel version of the iconic mirror was executed in stained red-brown beech wood and bentwood. In the official catalogs, it can be found for the first time in supplement L. of the 1904 catalog, September 1905. It embodies the new design language of Viennese Art Nouveau and has a much more reduced form than the first dressing mirror "Psyche".
Thonet is one of the oldest family businesses in the furniture industry. Since 1819, Thonet has been producing high-quality design furniture, including some true design classics. The famous bentwood furniture and tubular steel classics from the Bauhaus era are characteristic of Thonet's style and collection.
This unique piece was professionally restored.
Ref. 24-0427
Dimensions:
Height: 179 cm
Width: 88 cm
Depth: 53 cm
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16th Century Gothic Sculpted Oak Panel, Belgium
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A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th century. This exquisite and rare piece has beautiful patina due to age.
This highly decorative antique panel featuring a cross design is a perfect blend of the ancient artistry and craftsmanship of the 16th century. Ideal for gifting or as a personal treasure, this carved wooden plaque is a timeless addition that reflects your unique style and appreciation for fine art.
We have 4 Gothic panels in our collection.
Dimensions:
Height: 36 cm
Width: 25 cm
Depth: 1 cm
Ref. 24-0371
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Gothic Sculpted Panel in Oak, Belgium, 1500s
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A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th century. This exquisite and rare piece has beautiful patina due to age.
This highly decorative antique panel featuring an arrow and clovers is a perfect blend of the ancient artistry and craftsmanship of the 16th century. Ideal for gifting or as a personal treasure, this carved wooden plaque is a timeless addition that reflects your unique style and appreciation for fine art.
We have 4 Gothic panels in our collection.
Dimensions:
Height: 36 cm
Width: 28 cm
Depth: 1 cm
Ref. 24-0372
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Gothic Oak Sculpted Panel, Belgium, 1500s
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A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th century. This exquisite and rare piece has beautiful patina due to age.
This highly decorative antique panel is a perfect blend of the ancient artistry and craftsmanship of the 16th century. Ideal for gifting or as a personal treasure, this carved wooden plaque is a timeless addition that reflects your unique style and appreciation for fine art. We have 4 Gothic panels in our collection.
Dimensions:
Height: 36 cm
Width: 25 cm
Depth: 1 cm
Ref. 24-0374
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French Art Deco wrought iron fireplace screen with 3 panels
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France / 1915 / fire screen / rough iron / Art Deco / Art Nouveau / Mid-century
A large Art Deco wrought iron fireplace screen with 3 panels. Crafted in France around 1915. This exquisite piece serves as a protective barrier against sparks and embers but also enhances the aesthetic appeal of your fireplace. Crafted in wrought iron with a rich black finish is beautifully complemented by intricate gold accents.
The three-panel design allows for versatile placement, making it easy to fit into any room layout while providing ample coverage. The fire screen is in an overall very good state with just a small hole in the mesh.
Dimensions:
Height: 101 cm
Width: 178 cm
Depth: 40 cm
Dimensions closed:
Height: 101 cm
Width: 67 cm
Depth: 15 cm
Ref. 25-0045
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Set of 2 abstract paintings titled “Fyrhat” by the Belgian Artist Nico de Guchtenaere
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Two large abstract painting designed to complement each other by the Belgian Artist Nico de Guchtenaere in 1998. These paintings feature a blend of contemporary styles in earthly colors that evoke a sense of tranquility and sophistication.
The works of Nico De Guchtenaere can be seen as a meditation on the naturalness of making art, on the physical and mental activity of man. There is a continuous play of opponents in these works: between the inner and the outer world, between the visible and the concealed; between traditional painterly expressiveness and postmodern strategies.
It is a way of reflecting on the creative process by evoking the natural world, and the naturally grown, as a process of power, a process of life, death and rebirth. The organic forms are thus a metaphor for his own artistic evolution, as a meditation on the naturalness of making art, on the physical and mental activity of man.
From his interpretation of nature, Nico De Guchtenaere does not develop purely abstract art, but an abstract and very material transformation of his expressionist temperament. His iconography suggests a new meaning, it serves the constant reminder of an aesthetic consciousness.
Dimensions per painting:
Height: 116 cm
Width: 130 cm
Depth: 4 cm
Ref. 25-0028 / 25-0029
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Rare large Antique Baroque or Rococo style hand carved oak mirror, France ca. 1800
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Large monumental sculpted oak wall mirror, hand crafted around 1800 in France. This antique baroque style mirror has an oak wooden frame with luxurious flower carvings. This piece was professionally refreshed and provided with a new mirror.
An impressive rare find with a generous size and beautiful carvings.
Dimensions:
Height: 157 cm
Width: 114 cm
Depth: 7 cm
Dimensions mirror: 140 cm x 98 cm
Ref. 25-0082
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Baroque black large oak mantel or fireplace mirror, France ca. 1850
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An extra large baroque or rococo fireplace mirror crafted in france around 1850. This stunning mirror has a sleek black frame with embossed floral motifs and nice thick layers of lacquer. The piece was repainted.
This mirror with its royal size is a perfect impressive fireplace mirror but als a nice life size mirror in any room or dressing.
Dimensions:
Height: 200 cm
Width: 125 cm
Depth: 5 cm
Ref. 25-0093
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Baroque gilt facet cut wall mirror in wood, France 1850
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A highly decorative Baroque or Rococo gilt wooden square mirror with bevelled mirror. The mirror displays a beautiful bold and richly carved frame with floral details.
Its classic design complements a variety of interior styles, from mid-century modern to traditional.
Dimensions:
Height: 78.5 cm
Width: 66 cm
Depth: 10 cm
Dimensions mirror: 55 cm x 43 cm
Ref. 25-0090
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Pair of two Venetian Rococo giltwood mirrors, ca. 1850 Italy
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Italy / 1850 / 2 mirrors / wood / Baroque / Rococo / Mid-century
A pair of very fine Italian Rococo carved and gilded wood mirrors with original mirrors and beautiful patina. Carved in symmetrical form with flowers, scrollwork and rocailles.
These mirror plates were used to reflect the candle light to increase the volume of light in the dark interiors of the time, while the gilded and carved surfaces also reflect the light. With their original mirror plates, which were most challenging to make at the time and highly prized, as they were quite expensive to acquire. These are highly sculptural hand-carved pieces which would make a dramatic and singular statement in any interior style.
The mirror’s graceful silhouette and intricate motifs pay homage to the refined aesthetics of the Rococo period, capturing the essence of classical beauty with its symmetrical lines and opulent ornamentation. Yet it is the enchanting aged patina that truly sets this piece apart, imbuing it with a sense of history and character that only time can bestow.
Dimensions:
Height: 78 cm
Width: 50 cm
Depth: 10 cm
Ref. 25-0091 / 25-0092
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Large carved Portugees Neo-Gothic oak wall panel, 1850s
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A large Antique oak panel, carved on both sides, hand crafted in Portugal. Dating around 1850, this oak panel displays exceptional hand-carved neo-gothic geometric patterns and frame. The dark oak wood has a desirable smooth finish with slight patine, leaving the panel with character and charm. This exceptional piece was professionally restored.
This unique and rare panel seamlessly blends modern aesthetics with natural charm. It can be placed horizontally and vertically as wall decoration, or as a room divider. The typical gothic geometric carved pattern perfectly matches any interior style, while the smooth dark finish highlights the wood's natural grain, making it a one-of-a-kind masterpiece.
Dimensions:
Height: 69 cm
Width: 172 cm
Depth: 10 cm
Ref. 25-0050
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Antique French early 17th century haute epoque copper candlestick
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Antique copper candle holder from the haute epoque period. Hand crafted in France in the 17th century. This rare candlestick has a baluster stem and hexogonal base. This rare to find piece has very nice patina due to its old age.
This antique candle holder boasts a lustrous finish that reflects light beautifully, creating a warm and inviting ambiance in any room. The delicate design features intricate detailing that adds a touch of sophistication, making it a perfect centerpiece for your dining table or a charming accent on your mantelpiece.
Dimensions:
Height: 17 cm
Width: 9 cm
Depth: 9 cm
Ref. 25-0134
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French 18th Century Religious Statue of the Virgin Mary on a cloud
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An 18th century oak statue with its original polychromy depicting Mary kneeling on a cloud. The right arm and crown are missing. This statue comes with the original certificate from the antique dealer who sold it in 1978.
The image shows a religious statue of the Virgin Mary, specifically likely representing Our Lady of the Rosary, standing on a cloud. This statue is a devotional object within the Catholic faith, serving as a focal point for prayer and reflection. The statue was made of polychromed oak wood, in shades of gold, blue, white, and brown. It shows Mary in a flowing robe and possibly armor, with a serene expression.
Our Lady of the Rosary is a title of the Virgin Mary associated with the practice of praying the Rosary. The feast day of Our Lady of the Rosary is celebrated on October 7th.
The statue's presence on a cloud is a common motif in depictions of Mary, symbolizing her heavenly nature and role as an intercessor between God and humanity.
Dimensions:
Height: 90 cm
Width: 50 cm
Depth: 35 cm
Ref. 25-0141
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Rare Rustic wabi sabi style vase in solid wood, France 1800s
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Handmade French solid wooden vase from the late 18th or early 19th century. This decorative antique piece was crafted from warm dark brown wood and gathered beautiful patina in time. The organic, rounded silhouette is complemented with a geometric pattern in bass relief around the bottleneck and carvings around the belly.
This vase in warm earthy tones fits perfect in a modern interior with wabi wabi accents but will be an eye cather to any space.
Dimensions:
Height: 39 cm
Width: 22 cm
Depth: 22 cm
Diameter bottleneck: 18,5
Ref. 25-0150
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Large Vintage bamboo mirror with beveled mirror, France 1960s
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Elegant natural bamboo framed beveled mirror from the 1960s. This mid-century mirror brings a touch of the outdoors inside.
This unique and large piece serves as a mirror but also as wall decoration that enhances the aesthetic of any room. The warm tones of the bamboo create a serene and inviting atmosphere, making it perfect for your bedroom, living room, or hallway.
Dimensions:
Height: 104 cm
Width: 84 cm
Depth: 3,5 cm
Ref. 25-0151
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Large 18th Century Gothic solid oak hand carved coat rack, France
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Antique coat rack in hand carved oak from the 18th century. This impressive rack features four animal heads, each with a round copper ring and eight hooks. In the middle geographical gothic style floral motifs and on top a spacious hat shelf. We had this unique coat rack professionally restored while retaining its original patina.
A rare find this large beautifully crafted oak coat rack, ideal for hanging your favorite accessories, coats, or bags, keeping your entryway organized and stylish. The intricate carved design adds a touch of classic elegance, making it not just a storage solution but a statement piece that enhances any room's decor.
Dimensions:
Height: 30,5 cm
Width: 200 cm
Depth: 13 cm
Ref. 22-0257
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Art nouveau oak photo frame with copper decorations by Geo Verbanck
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Photo frame in Art Nouveau style with copper decorations by the Belgium artist Geo Verbanck. This frame was hand crafted in caramel colored oak wood. Four corners are decorated with carvings of flowers and bronze plaquettes by Geo Verbanck. In the middle a circular space was left out for a picture or drawing.
Geo Verbanck was born in Ghent on 28 February 1881. He studied art at the Royal Academy of Fine Arts in Ghent and the Royal Academy of Fine Arts in Brussels. Geo Verbanck gradually became better known, partly through his participation in national and international exhibitions. In 1941 Verbanck was awarded the state prize "Grand Prize of the Plastic Arts" for his entire oeuvre. Verbanck is considered one of the last classical sculptors and "le poète de l'élégance". His education at the academies in Ghent and Brussels allowed him to develop his own sensitive figurative style in which a classical purity, harmony and an intuitive sense of the right dimension were paramount.
Dimensions:
Height: 50,5 cm
Width: 50,5 cm
Depth: 4 cm
Ref. 25-0180
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Art Deco sunburst mirror in red copper, France 1920s
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Stunning French Art Deco sunburst mirror, crafted in solid red copper from the 1920s. This graphically designed mirror features a beautifully crafted frame with sun rays styled in a tilted shape and a round mirror. The copper of this mirror has a beautiful brown patina. The frame shows normal signs of use due to age.
The intricate sunburst design radiates elegance, making it a perfect statement piece for your living room, hallway, or entryway. Not only does this mirror serve a practical purpose, reflecting light and creating the illusion of a larger space, but it also acts as a captivating artwork that draws the eye and sparks conversation. The rich brown tones of the patinated copper complement a variety of color schemes, ensuring it seamlessly integrates into your existing decor.
Dimensions:
Height: 68 cm
Width: 68 cm
Depth: 10 cm
Ref. 25-0187
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Large Carved Portuguese Oak Wall Panels, 1850s, Set of 2
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Portugal / 1850 / 2 wall panels / oak / Rustic / Mid-century
Two large beautiful hand carved Portuguese decorative wall panels from an altarpiece with nice patina. Crafted of solid oak with geometric floral decorations and warm dark finish.
Each panel is meticulously crafted from high-quality oak, showcasing floral carvings that reflect timeless designs and cultural motifs, making them an eye catcher in both traditional and contemporary interiors.
Dimensions per panel:
Height: 165 cm
Width: 63 cm
Depth: 6 cm
Ref. 25-0049
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Large handcrafted solid wooden bowl in wabi wabi style, France ca. 1950
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Large robust wabi sabi style bowl, handcrafted from one large piece of wood in the 1950s in France.
This very large and unique wooden bowl will make an excellent display item to complement your interior. Crafted from high-quality wood, this bowl showcases the natural grain and unique character of the material, making each piece truly one-of-a-kind. Its warm tones and smooth finish enhance the aesthetic of your table.
Ref. 25-0304
Dimensions:
Height: 10 cm
Width: 47 cm
Depth: 45 cm
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Large 17th century Monastery doors in terracotta lacquered oak, Portugal
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Beautiful large solid oak double panel monastery doors from Portugal. The original hardware is still present. The oak is finished in its old terracotta-colored, weathered varnish and has a beautiful patina. The doors have each two panels with simple geometric carvings. They are heavy and rot-free, with occasional old (treated) woodworm holes. Handmade in the 17th century.
This robust and stylish set of antique doors, made entirely of wood with a beautiful symmetrical panel layout, has a warm, timeless look. The classic design seamlessly blends with modern and traditional decor, allowing you to enhance your interior aesthetic effortlessly. The set is suitable for both indoor and outdoor use, for example, as an entrance, passageway, room divider or as a stylish element in an interior design project.
Dimensions:
Height: 300 cm
Width: 186 cm
Depth: 10 cm
Ref. 25-0201
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Large 17th century Monastery doors in terracotta lacquered oak, Portugal
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Beautiful large solid oak double panel monastery doors from Portugal with wooden hanging system. The oak is finished in its old terracotta-colored, weathered varnish and has a beautiful patina. The doors are each adorned with four simple squares with carvings. They are heavy and rot-free, with occasional old (treated) woodworm holes. Handmade in the 17th century.
This robust and stylish set of antique doors, made entirely of wood with beautiful symmetrical geometric decoration has a warm, timeless look. The classic design seamlessly blends with modern and traditional decor, allowing you to enhance your interior aesthetic effortlessly. The set is suitable for both indoor and outdoor use, for example, as an entrance, passageway, room divider or as a stylish element in an interior design project.
Height without hanging system: 252 cm
Dimensions:
Height: 267 cm
Width: 140 cm
Depth: 13 cm
Ref. 25-0200
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Brass and horn octagonal mirror with horn by Anthony Redmile, UK ca. 1980
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A brass and horn octagonal mirror with beveled mirror plate. This piece is of exceptional quality and signed "Redmile London.", by the Avant Garde London designer Anthony Redmile.
J. Antony Redmile had a boutique in London in the 1960’s through the 1980’s selling unique bespoke artisan pieces featuring precious and exotic materials. This mirror is a sensational work of art.
Selling from his shop at 73 Pimlico Road in the 1960’s and 70’s, designer J. Antony Redmile was inspired by the eclectic collecting of the Victorian and Edwardian eras. He was best known for his extravagant designs that stood out through his use of unusual materials such as antlers, ostrich eggs, shell, cow horn and bone in his furniture. House and Garden magazine once described him as ‘the most original, prolific and fantastical designer in Britain.’ His clients included Rod Stewart, Princess Margaret, Jacqueline Onassis and Joan Collins. He even designed the objets d’art for the cruise ship, Norway.
Dimensions mirror: 37 cm x 37 cm
Ref. 25-0332
Dimensions:
Height: 56,5 cm
Width: 56,5 cm
Depth: 5 cm
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Antique rectangular walnut wall mirror, France ca. 1880
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Antique wall mounted mirror in warm walnut wood hand crafted in the late 19th century in France. The frame has a simple, rectangular design with a distinctive wood grain pattern. The mirror glass shows some signs of age, such as dark spots, which is common in antique mirrors. The wood shows some old treated worm holes.
Walnut wood was highly prized during this period for its durability and luxurious appearance, making it an excellent choice for fine furniture and decorative pieces. This is a beautiful example of late 19th-century craftsmanship and design. Sober and interesting by its size, this mirror will blend in with your interior decoration while bringing a warm and elegant touch.
Ref. 25-0356
Dimensions:
Height: 85,5 cm
Width: 67,5 cm
Depth: 2 cm
Dimension mirror: 66 cm x 48 cm
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Antique 19th century faux bamboo mirror in wood, France
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Characterful turned bamboo design mirror with its original weathered mirror and solid wooden back. This Hollywood Regency style wall mounted mirror features a beautifully crafted wooden frame that exudes natural elegance.
A refined mirror in the Chinoiserie style, historically seen in Parisian cafés and the foyers of French townhomes. The rich texture and warm tones of the wood bring a touch of rustic charm, making it perfect for both Mid-century modern and traditional interiors.
Dimensions mirror: 50 cm x 40 cm
Ref. 25-0333
Dimensions:
Height: 76 cm
Width: 57 cm
Depth: 4 cm
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Baroque carved wooden beveled mirror in Louis XV style, France 1900s
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Antique Louis XV style mirror with wooden frame and beautiful patina. Hand carved in the early 20th or late 19th century in France. This stunning piece features a frame decorated with sculpted flowers and acanthus leaves and a beveled mirror.
The soft lines, beautiful carvings and the warm wood tones with natural grain, make this piece a timeless statement of elegance. This mirror will draw the eye and spark conversation, while also providing a practical solution for your daily grooming needs.
Dimensions mirror: 64 cm x 49,5 cm
Ref. 25-0357
Dimensions:
Height: 85,5 cm
Width: 65 cm
Depth: 3 cm
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16th Century oak carved Gothic Panels, 9 pieces, Belgium
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Finely carved Gothic oak panels from 16th-century France. This architectural fragments feature graceful vertical fluting framed by elegant, flowing arches at both the top and bottom—an understated yet distinctly Gothic motif. The deep, warm patina and visible hand-tool marks speak to centuries of history and craftsmanship.
Originally part of a larger ecclesiastical or domestic interior, these panels now serves beautifully as decorative wall elements, headboard accents, or incorporated into bespoke cabinetry. Its refined proportions and timeless character make it a superb addition to both traditional and contemporary settings.
Fine antique condition with rich, aged patina and minor wear consistent with age and use, see pictures.
We can offer these panels as a set of 9 pieces or per piece as requested.
Ref. 25-0400-25-0110
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Belgian Processional Crucifix on Pedestal, 16th Century
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An exceptional 16th-century Belgian crucifix, originally conceived for use in religious processions, later mounted on a stepped marble and wooden pedestal for display. This remarkable devotional object harmoniously combines wood, metal, and marble, exemplifying the refined craftsmanship and spiritual intensity of early ecclesiastical art.
The cross, clad in gilded metal, features a finely cast figure of Christ rendered with expressive naturalism and quiet reverence. Each terminal of the cross is adorned with decorative spheres, subtly embossed with floral motifs, imparting a sense of sacred ornamentation. The sculptural composition is elevated by its later black marble and white stone base, which enhances its architectural presence and ceremonial elegance.
Excellent antique condition with minor wear consistent with age and devotional use. A piece of profound historical and spiritual resonance, this crucifix is both an object of faith and a work of art, ideal as a centrepiece in a refined interior or private collection of sacred artifacts.
Dimensions base: 10 cm x 24 cm x 24 cm
Ref. 25-0476
Dimensions:
Height: 62 cm
Width: 39 cm
Depth: 24 cm
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17th-Century Belgian Bronze Candlestick in Renaissance Style
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A finely cast 17th-century bronze candlestick from Belgium, this piece embodies the sculptural elegance and decorative vocabulary of the Renaissance period. Its turned and tiered silhouette, characterized by balanced proportions, subtle ornamentation, and a confidently shaped base, reflects the craftsmanship and aesthetic sensibilities of early European metalwork.
The surface shows expected traces of use and age, adding depth, authenticity, and a warm, time-worn patina that only centuries of handling can create. Solid and weighty, the candlestick stands as both a practical lighting object and a collectible decorative accent.
A distinguished addition to any curated interior, this antique bronze candlestick brings a sense of history, artistry, and understated grandeur to any setting, whether displayed alone or as part of a larger ensemble.
Ref. 25-0436
Dimensions:
Height: 20 cm
Width: 9,5 cm
Depth: 9,5 cm
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Brutalist Welded-Iron Crucifix Wall Sculpture by Pia Manu, Mid-20th Century
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A striking and atmospheric mid-century Brutalist crucifix crafted by the renowned Belgian art studio Pia Manu circa 1960. Forged in iron, this expressive wall sculpture embodies the raw, textural aesthetic for which Pia Manu is celebrated. This evocative piece features an abstracted, elongated figure rendered in raw, textured metal, capturing both movement and emotion through its powerful minimalist form.
The artist’s use of heavy, sculptural welds creates a compelling contrast between rough, organic surfaces and the clean linearity of the cross itself. The result is a bold, architectural silhouette that casts dynamic shadows and brings strong sculptural presence to any interior—whether displayed in a modern, industrial, or art-focused environment.
Elegant in its minimalism yet monumental in presence, this crucifix reflects the studio’s unique approach to postwar Belgian decorative arts—bridging modernist restraint with artisanal craftsmanship. Suitable for both contemporary and traditional interiors, it functions equally as a devotional object and a compelling sculptural artwork. A rare and evocative example of Belgian mid-century metalwork, and an exceptional addition for collectors of Pia Manu or expressive religious art.
Ref. 25-0493
Dimensions:
Height: 52 cm
Width: 44.5 cm
Depth: 8 cm
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Art Deco Oak Wall Mirror, Belgium, circa 1915
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A striking example of early 20th-century Belgian craftsmanship, this Art Deco wall mirror dates to around 1915 and features a solid oak frame with a warm, reddish-brown stain that highlights the natural grain of the wood. The mirror’s silhouette is defined by a gently arched top, lending a subtle architectural elegance to its otherwise rectilinear form.
At the apex of the arch, a decorative accent composed of three vertical black metal rods mounted on a small wooden block adds a touch of geometric contrast—an understated nod to the emerging modernist influences of the Art Deco movement. The mirror glass is shaped to follow the frame’s arch, enhancing its cohesive and refined design.
This piece is ideal for interiors that blend traditional materials with early modern aesthetics. Whether placed in a hallway, bedroom, or above a console, it offers both functional clarity and timeless style.
Excellent antique condition with minor wear consistent with age.
Dimensions:
Height: 114,5 cm
Width: 73,5 cm
Depth: 8 cm
Ref. 25-0627
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Large Mid-Century Belgo Chrome Mirror in Metal and Fumé Glass, Belgium 1980s
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This striking large-scale mirror by Belgo Chrome, crafted in Belgium circa 1980, is a quintessential example of mid-century glamour with a sculptural edge. The piece features a bold rectangular form framed in polished metal, combining a silver-toned outer border with a warm gold-toned inner trim. The mirror surface itself is made of fumé glass, offering a subtle bronze tint that adds depth, mood, and sophistication to any interior.
Designed with versatility in mind, the mirror can be mounted vertically or horizontally, making it ideal for a range of decorative applications, from anchoring a hallway or dressing room to serving as a dramatic focal point above a console or fireplace. Its clean lines and reflective materials evoke the refined aesthetics of 1980s European design, while the use of mixed metals and tinted glass adds a luxurious, almost cinematic quality.
Perfect for decorators and collectors seeking statement pieces with architectural presence, this Belgo Chrome mirror blends effortlessly into mid-century, Hollywood Regency, and contemporary interiors.
Dimensions:
Height: 110 cm
Width: 60 cm
Depth: 2 cm
Ref. 25-0561
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Belgian Mid-Century Belgo Chrome Mirror in Copper and Fumé Glass, 1980s
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This elegant mid-century mirror by Belgo Chrome, crafted in Belgium around 1980, is a sophisticated example of European design that blends sculptural clarity with material richness. Framed in a striking combination of polished metal and warm copper-toned trim, the piece features a fumé mirror surface that adds depth and a subtle bronze tint; ideal for interiors seeking atmosphere and refinement.
Compact in scale yet visually impactful, the mirror is designed to be mounted either vertically or horizontally, offering flexibility for decorators working with layered compositions or spatial constraints. Whether placed above a console, integrated into a gallery wall, or used as a refined accent in a powder room or hallway, this piece brings a touch of Belgian modernism and understated glamour.
The mirror’s clean lines and mixed-metal palette reflect the hallmarks of Belgo Chrome’s signature style, making it especially suited for mid-century, Hollywood Regency, or contemporary interiors. Its warm tones and reflective surface enhance light while introducing texture and contrast, allowing it to function as both a decorative and architectural element.
Dimensions:
Height: 78.5 cm
Width: 58 cm
Depth: 3 cm
Ref. 25-0562
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Antique Facet-Cut Mirror in Carved Wood, France 1850s
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This elegant French mirror from circa 1850 combines timeless design with rich materiality. Framed in carved wood with a deep, warm patina, the piece features a facet-cut mirror plate that subtly catches and refracts light, adding depth and sophistication to any interior. The decorative metal accents at the corners and midpoints enhance its architectural presence while preserving its understated antique charm.
Designed for versatility, the mirror can be mounted either vertically or horizontally, making it ideal for a range of decorative applications, from anchoring a mantelpiece or console to enhancing a hallway, dressing room, or salon. Its classic proportions and restrained ornamentation allow it to blend seamlessly into traditional, rustic, or even transitional interiors, offering decorators a flexible and historically resonant element.
The mirror’s aged surface and handcrafted frame speak to its provenance and authenticity, making it a compelling choice for collectors and designers who value French heritage and antique integrity. Whether used as a focal point or layered into a curated wall composition, this 19th-century mirror brings warmth, texture, and quiet elegance to any space.
Condition is consistent with age, showing minor wear and surface character that enrich its antique appeal. A timeless piece that balances decorative beauty with functional versatility.
Dimensions:
Height: 97 cm
Width: 67 cm
Depth: 3 cm
Ref. 25-0565
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Antique French Facet-Cut Mirror in Carved Wood, circa 1850
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This elegant French mirror from circa 1850 is a distinguished example of 19th-century craftsmanship, offering both decorative refinement and historical presence. Framed in richly carved wood with a deep, aged patina, the piece features a facet-cut mirror plate that subtly catches and refracts light, enhancing its architectural appeal and adding depth to any interior.
Designed to be mounted vertically, the mirror’s proportions and vertical emphasis make it ideal for hallways, dressing rooms, or above a console in a formal salon. The carved details at the corners and along the edges reflect the artisanal traditions of mid-19th-century France, while the overall composition remains restrained enough to suit both classic and transitional design schemes.
Its warm wood tones and authentic surface wear speak to its age and provenance, making it a compelling choice for decorators seeking pieces with soul and substance. Whether used as a focal point or layered into a curated wall arrangement, this antique mirror brings texture, elegance, and quiet grandeur to any space.
Condition is consistent with age, showing minor wear and surface character that enrich its antique charm. A timeless mirror that blends French heritage with decorative versatility, perfect for collectors and interior professionals alike.
Dimensions:
Height: 97 cm
Width: 67 cm
Depth: 3 cm
Ref. 25-0564
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Belgian Art Deco Wooden Mirror with Aged Glass, ca. 1930
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This Belgian Art Deco mirror from the 1930s combines geometric clarity with the warmth of natural wood and the poetic charm of aged glass. The rectangular frame, crafted in solid wood with a deep brown finish, reflects the streamlined elegance and architectural restraint characteristic of the Art Deco movement. Subtle carved detailing along the edges adds texture without compromising the mirror’s minimalist silhouette.
The mirror plate itself shows visible wear and patina consistent with its age, including soft clouding and tonal variation that enhance its vintage appeal. Rather than detracting, these signs of time lend the piece a quiet authenticity, ideal for decorators and collectors who appreciate the layered beauty of original materials.
Designed for vertical mounting, this mirror works beautifully in hallways, dressing rooms, or as a refined accent above a console or fireplace. Its proportions and understated presence make it a versatile addition to both period interiors and contemporary spaces seeking a touch of historical depth.
Condition: Structurally sound with surface wear to the mirror plate and frame, consistent with age and use. A timeless piece that speaks to Belgian craftsmanship and the enduring elegance of Art Deco design.
Dimensions:
Height: 138 cm
Width: 35 cm
Depth: 2,5 cm
Ref. 25-0559
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Carved Baroque Black and Giltwood Mirror, France 1850s
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A magnificent embodiment of 19th-century French grandeur, this Baroque mirror from circa 1850 showcases the opulence and theatricality of the period’s decorative arts. Crafted from carved wood and finished in radiant gold leaf with contrasting black accents, the frame features elaborate scrollwork, acanthus leaves, and rope-like borders that reflect the dramatic elegance of the Baroque tradition.
Each corner is adorned with ornate flourishes, emphasizing symmetry and movement, hallmarks of the style that once graced the salons and châteaux of imperial France. The mirror’s generous proportions and richly textured surface make it a commanding focal point, ideal for interiors that celebrate historical depth and visual richness.
Whether placed above a marble mantel, anchoring a grand hallway, or adding a touch of aristocratic flair to a modern setting, this piece offers timeless sophistication and unmistakable French heritage.
This mirror has normal minor wear marks and patine due to age that add to its authenticity and beauty.
Dimensions:
Height: 60 cm
Width: 48,5 cm
Depth: 3 cm
Ref. 25-0624
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Pair of copper Table Candlesticks by Carl Deffner, Germany ca 1910
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Sculptural pair of table candlesticks, crafted circa 1910 by Carl Deffner in Esslingen, Germany. This pair exemplifies the refined metalwork and progressive design ethos of the Jugendstil movement. Executed in red and yellow copper; a rare and visually arresting combination, the candlesticks reflect both the artisanal rigor of the Arts & Crafts tradition and the organic fluidity of Art Nouveau.
The Candleholders were hand-worked in red and yellow copper, with a warm, natural patina that accentuates the interplay of tones and textures. Each candlestick features a flared, perforated base that rises into four slender brass rods, topped with spherical joints supporting a horizontal copper vane. A curved copper strip arcs gracefully from base to top, adding both structural tension and lyrical movement. Though conceived as functional lighting objects, their sculptural presence and mechanical elegance suggest a dual role, as decorative objets and as expressions of early 20th-century design innovation.
Carl Deffner (active late 19th–early 20th century) was known for his precision metalwork and contributions to Jugendstil design. These candlesticks likely emerged from the fertile period around 1910, when German designers were blending the sinuous forms of Art Nouveau with the honest materials and craftsmanship championed by the Arts & Crafts movement.
The Jugendstil aesthetic, Germany’s answer to Art Nouveau, favored stylized natural forms, expressive geometry, and a rejection of industrial excess. These candlesticks embody that spirit: their biomorphic curves and exposed mechanical elements speak to a design language rooted in nature, structure, and artisanal pride.
Structurally sound and visually compelling. The copper surfaces show a rich patina with minor oxidation, enhancing their historic character. Some imperfections are visible on the underside, including surface wear and slight irregularities consistent with age and use. These do not affect stability or visual impact when displayed.
Dimensions:
Height: 16 cm
Width: 11 cm
Depth: 8 cm
Ref. 25-0613
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Large French Rustic Baroque Oak Wall Mirror, circa 1850
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A commanding presence with centuries of character, this large wall mirror from mid-19th century France is a striking fusion of rustic craftsmanship and Baroque ornamentation. Carved from solid oak, the frame exudes a tactile richness—its surface alive with scrolling foliage, floral flourishes, and beadwork motifs that echo the grandeur of Louis XIV-era design, reinterpreted through the lens of provincial artisanship.
The oak has aged with dignity, its warm, honeyed tones deepened by time and use. The carving, though bold and expressive, retains a hand-hewn quality that speaks to its rural origins, likely produced in a regional atelier where tradition and practicality met in harmonious dialogue. The mirror’s generous scale and architectural silhouette suggest it once adorned the walls of a manor house or ecclesiastical interior, reflecting candlelight, movement, and ceremony.
Subtle imperfections, small losses to the carving, minor abrasions to the frame, only enhance its authenticity, offering a glimpse into its long life and storied past.
Condition: Structurally sound. Minor losses and surface wear consistent with age; traces of old restorations. Rich patina throughout.
Provenance: Private estate, southwestern France.
Dimensions:
Height: 92 cm
Width: 140 cm
Depth: 6 cm
Ref. 25-0622
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Art Deco Stained Glass Panel Depicting Early Football Scene, Belgium ca. 1910
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A rare and evocative example of early 20th-century Belgian stained glass, this panel, crafted circa 1910, captures the spirit of athletic camaraderie through the lens of Art Deco design. Executed in glass and tin, the work features a central oval vignette portraying three football players in vintage attire, frozen mid-action on a grassy pitch. Their striped socks, belted shorts, and collared jerseys evoke the formative years of organized sport, when football was gaining cultural traction across Europe.
Surrounding the figural scene is a geometric border rendered in soft pastel hues, greens, blues, and yellows, outlined in bold black leading. The composition reflects the emerging Art Deco aesthetic: stylized, rhythmic, and modern, yet still rooted in artisanal tradition. The craftsmanship is meticulous, with hand-cut glass segments and subtle shading that lend depth and movement to the figures.
This panel would have originally adorned a private residence, clubhouse, or public building, celebrating both athleticism and decorative innovation. It stands today as a testament to Belgium’s rich stained glass heritage and the early visual culture of sport.
Whether displayed as a standalone artwork, integrated into an architectural setting, or added to a collection of sporting memorabilia, this piece offers historical resonance and luminous charm.
We have 4 similar stained glasses with sport scenes in our collection.
Condition: Excellent antique condition with minor wear consistent with age. No cracks; leading intact.
Provenance:Private Belgian collection.
Dimensions:
Height: 35 cm
Width: 61 cm
Depth: 0,5 cm
25-0637 A
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Art Deco Stained Glass Panel Depicting a Boxing Match, Belgium ca. 1910
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A rare and visually arresting example of early Belgian Art Deco stained glass, this panel, crafted circa 1910, captures the raw energy and theatricality of a vintage boxing match through the luminous medium of glass and tin. At its center, two fighters are locked in motion within a stylized ring: one mid-punch, the other recoiling, their muscular forms rendered in bold lines and expressive color. The scene is framed by an oval cartouche bordered in yellow and white, flanked by geometric blue accents that echo the dynamism of the sport.
Surrounding the central vignette is a composition of pale green and white glass segments, arranged in rhythmic symmetry and outlined in black leading. The interplay of figuration and abstraction reflects the early Art Deco fascination with movement, modernity, and the heroic body, here translated into a decorative object of striking presence.
Crafted in glass and tin, the panel would have originally adorned a public hall, sports club, or private interior celebrating athletic achievement. It stands today as a testament to Belgium’s rich stained glass tradition and the cultural rise of sport in the early 20th century.
Condition: Good antique condition with age-appropriate patina. A small crack at the bottom edge (see photo); structurally stable and visually intact.
Provenance: Private Belgian collection.
We have 4 similar stained glasses with sport scenes in our collection.
Dimensions:
Height: 35 cm
Width: 81 cm
Depth: 0,5
25-0637 B
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Art Deco Stained Glass Panel Depicting Cyclists in Motion, Belgium ca. 1910
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A rare and luminous celebration of early 20th-century athleticism, this stained glass panel, crafted in Belgium around 1910, captures the dynamism of competitive cycling through the refined lens of Art Deco design. Executed in glass and tin, the composition centers on two cyclists in vintage racing attire, their bodies angled in motion as they surge forward across a stylized landscape. The lead figure leans into the handlebars with determination, while the second rider follows closely behind, evoking the intensity and camaraderie of early road racing.
The central oval vignette is framed by a decorative border of purple and blue accents, surrounded by geometric panels in soft green, yellow, and white. The interplay of color and form reflects the emerging Art Deco aesthetic: rhythmic, modern, and infused with a sense of movement. The use of leaded glass to depict such a dynamic subject is both unusual and striking, merging traditional craftsmanship with a modern sporting theme.
This panel would have originally adorned a public hall, cycling club, or private interior celebrating the cultural rise of sport in Belgium, a country with deep roots in cycling history. Today, it stands as a testament to the artistic versatility of stained glass and the early visual culture of athletic achievement.
Condition: Excellent antique condition with minor wear consistent with age. Leading intact; glass segments stable and vibrant.
Provenance: Private Belgian collection.
We have 4 similar stained glasses with sport scenes in our collection.
Dimensions:
Height: 35 cm
Width: 81,5 cm
Depth: 0,5
25-0637 C
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Art Deco Stained Glass Panel Depicting Runners in Motion, Belgium ca. 1910
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A rare and luminous celebration of early 20th-century athleticism, this stained glass panel, crafted in Belgium around 1910, captures the grace and energy of two runners mid-stride, rendered in vivid glass and tin. Set within an oval cartouche, the figures are depicted in vintage athletic attire, their bodies angled forward in rhythmic motion as they traverse a stylized landscape of trees and hills. The scene evokes the spirit of progress, vitality, and modernity that defined the cultural optimism of the pre-war era.
Surrounding the central vignette is a geometric frame composed of pastel green, yellow, and blue glass segments, outlined in bold black leading. The interplay of figuration and abstraction reflects the early Art Deco aesthetic, where movement and symmetry meet decorative refinement. The craftsmanship is meticulous, with hand-cut glass pieces and subtle shading that lend depth and dynamism to the composition.
This panel would have originally adorned a public hall, athletic club, or private interior celebrating the rise of sport as both spectacle and symbol. It stands today as a testament to Belgium’s rich stained glass tradition and the early visual culture of physical excellence.
Condition: Good antique condition with age-appropriate patina. A small crack at the bottom edge (see photo); structurally stable and visually intact.
Provenance: Private Belgian collection.
We have 4 similar stained glasses with sport scenes in our collection.
Dimensions:
Height: 35 cm
Width: 61 cm
Depth: 0,5 cm
25-0637 D
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Neo-Gothic Oak Umbrella Stand with Sculptural Carving, France, 19th Century
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A striking example of 19th-century French craftsmanship, this neo-Gothic umbrella stand. Hand made in solid oak it channels the architectural drama and ornamental richness of medieval cathedral design. Crafted with reverence for Gothic revival aesthetics, the piece features pointed arches, tracery-like carvings, and sculptural detailing that evoke the grandeur of ecclesiastical interiors.
The stand’s vertical structure is framed by tiered moldings and rests on four clawed feet, lending it both visual weight and sculptural elegance. The oak has aged beautifully, its deep patina accentuating the crisp carvings and natural grain. Subtle traces of old, treated wormholes, now stabilized, add a layer of historical authenticity, speaking to the passage of time and the enduring quality of the wood.
Originally intended for a grand hallway or vestibule, this umbrella stand would have served both practical and decorative functions, offering a refined resting place for walking sticks, parasols, or canes. Today, it stands as a testament to the Gothic revival’s fascination with verticality, symbolism, and artisanal integrity.
Whether placed in a curated interior, a collector’s hall, or a hospitality setting, this piece offers timeless character and architectural presence.
Condition: Very good antique condition. Old wormholes professionally treated; structurally sound with rich patina.
Provenance: Private French collection
Dimensions:
Height: 58 cm
Width: 46 cm
Depth: 41 cm
Ref. 25-0568
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Neo‑Gothic Copper Church Candleholder Stamped “LL A Paris”, France ca. 1880
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A striking example of late‑19th‑century French ecclesiastical metalwork, this Neo‑Gothic candleholder. It was crafted around 1880 and stamped “LL A Paris”, embodies the revivalist spirit that swept through Europe during the period. Designed in the architectural vocabulary of the Gothic age, the piece echoes the soaring verticality and ornate tracery of medieval cathedrals, translated here into a richly detailed liturgical object.
The candleholder is cast in copper with a warm, time‑softened patina that enhances its sculptural depth. Pointed arches, miniature finials, and pierced decorative elements create a sense of upward movement, while the tiered base provides a grounded, architectural stability. Every detail reflects the precision and artistry associated with Parisian workshops of the era, where religious furnishings were produced with both devotional intent and aesthetic ambition.
The maker’s stamp, “LL A Paris,” affirms its origin in one of the capital’s specialized ateliers, known for supplying churches, chapels, and private oratories with finely crafted metalwork. Objects from these workshops were prized for their durability, symbolic richness, and stylistic fidelity to the Gothic Revival.
Whether displayed as a standalone sculptural accent or integrated into a collection of sacred art, this candleholder offers a rare blend of historical resonance, craftsmanship, and decorative presence. Its architectural silhouette and luminous copper surface make it a compelling focal point in both traditional and contemporary interiors.
Dimensions:
Height: 60 cm
Width: 11 cm
Depth: 11 cm
Ref. 25-0642
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Totem signed and numbered by Elisabeth Vandeweghe for Perignem, Belgium, 1970s
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A rare limited‑edition ceramic totem from the celebrated Perignem atelier, this 1970 work by Belgian artist Elisabeth Vandeweghe captures the bold sculptural language that defined the country’s mid‑century ceramic movement. Numbered 18/50, the piece belongs to a small, highly sought‑after series that exemplifies Perignem’s commitment to artistic experimentation and refined craftsmanship.
Vandeweghe’s totem is a striking composition of rhythmic symmetry and sculptural abstraction. Crafted in ceramic with refined detailing and a rich, tactile surface, the piece embodies the atelier’s signature blend of craftsmanship and avant‑garde sensibility. The interplay of curves, recesses, and geometric motifs gives the sculpture a totemic presence—both modernist and ritualistic in spirit.
Numbered 18/50, the work reflects the limited‑edition artistic production that Perignem embraced during this period, offering collectors a piece that is both rare and deeply representative of the studio’s creative identity. Its vertical form and layered structure make it a commanding focal point, whether displayed on a pedestal or integrated into a curated interior.
Perignem—founded by Rogier and Elisabeth Vandeweghe—was a driving force in elevating Belgian ceramics beyond functional ware, positioning the medium firmly within the realm of contemporary art. This totem stands as a testament to that legacy: expressive, modern, and unmistakably crafted by hand.
Perfect for collectors of European mid‑century ceramics, abstract sculpture, or Belgian design heritage, this totem stands as a testament to the artistic innovation that defined Perignem’s legacy.
A sculptural object of presence, balance, and unmistakable mid‑century character.
Dimensions:
Height: 45 cm
Width: 20 cm
Depth: 10 cm
Ref. 25-0668
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Neo‑Gothic Wrought‑Iron Candelabrum, France 19th Century
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A striking example of 19th‑century French metalwork, this wrought‑iron candle holder embodies the dramatic elegance of the Neo‑Gothic revival. Tall, sculptural, and richly expressive, it reflects the period’s fascination with medieval forms reinterpreted through artisanal craftsmanship.
The candelabrum rises from a tripod base of sharply curved legs, each forged with subtle variations that reveal the hand of the blacksmith. The central stem extends upward with a slender, tapering silhouette, culminating in five candle prickets arranged in a harmonious, symmetrical crown. Their pointed forms and upward sweep echo Gothic architectural lines, giving the piece a sense of verticality and quiet grandeur.
The iron surface shows the textured irregularities typical of 19th‑century forging—marks that lend authenticity and a tactile, time‑worn character. Despite its dramatic presence, the design remains functional and balanced, suitable for both everyday use and decorative display.
Perfect for adding atmosphere to an entryway, dining room, or curated historical interior, this Neo‑Gothic candle holder stands as a sculptural reminder of France’s 19th‑century revivalist artistry.
A powerful and evocative wrought‑iron candelabrum—rich in history, craftsmanship, and Gothic romanticism.
Dimensions:
Height: 150 cm
Width: 50 cm
Depth: 50 cm
Ref. 26-0014
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Rare Art Nouveau ceramic 3-piece asparagus set by Julius Dessler, Austria ca. 1900
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A museum‑level Austrian ceramic rarity with exceptional provenance, this three‑piece asparagus service by Julius Dessler, dating to around 1900, offers the kind of completeness and authenticity that is almost never encountered on the market. Marked with the impressed JBD stamp, the model number 4637, and “Austria”, it represents the refined craftsmanship and elegant table culture of the late Austro‑Hungarian Empire.
The set consists of:
- A large serving platter: 6.5 cm x 32 cm x 29 cm
- A fitted drainer insert: 7.5 cm x 23 cm x 16 cm
- A small butter or sauce dish: 7.5 cm x 13 cm x 8 cm
Together, these pieces form a sculptural and highly specialised service created for presenting asparagus—one of the most prized seasonal delicacies of Central Europe. The softly modelled contours, harmonious glazing, and balanced proportions reflect the transition from historicist Viennese ceramics to the more fluid, organic sensibilities of early Art Nouveau.
Complete three‑piece asparagus sets by Julius Dessler are virtually unobtainable today. Most surviving examples appear as single components, making the presence of all three original pieces extraordinarily rare. A comparable example is held in the collection of Museum Kurhaus Kleve, underscoring the cultural and artistic significance of this model.
The ensemble survives in remarkable antique condition. The glaze remains luminous, the modelling crisp, and the markings clear. The small butter dish shows a minor hairline, a typical age‑related flaw that does not diminish the rarity or display value of the set. The overall presentation is elegant, coherent, and highly collectible.
More than a functional service, this set is a testament to the refined dining rituals of fin‑de‑siècle Austria, where specialised tableware expressed both status and aesthetic sophistication. For collectors of European ceramics, Art Nouveau table culture, or museum‑quality decorative arts, this Julius Dessler asparagus service represents an exceptional and nearly impossible‑to‑find acquisition.
Dimensions:
Height: 13 cm
Width: 32 cm
Depth: 29 cm
Ref. 26-0004
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Large Copper Brew Kettle or chimney pot, France ca. 1820
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This impressive French copper brew kettle, dating to around 1820, is a striking survivor from the early 19th century, a period when copper vessels were essential tools in both domestic and artisanal brewing. Its tall cylindrical form, generous capacity, and beautifully aged surface speak to decades of practical use, while the craftsmanship reflects the robust metalworking traditions of rural France. The warm glow of the copper, enriched by time, oxidation, and gentle wear, gives the piece a depth and authenticity that only two centuries of history can create.
Hand‑formed from thick copper sheets, the kettle features a rolled rim, sturdy side handles, and a functional spout near the base—details that reveal its original purpose as a vessel for heating, brewing, or dispensing liquids. The metal has developed a rich patina, with subtle variations in tone and texture that highlight the hammering and shaping marks of its maker. Light traces of use remain visible, adding character without compromising the structural integrity of the piece. The brass tap, with its natural oxidation, provides a beautiful contrast to the warm copper body.
Around 1820, copper kettles like this were indispensable in French kitchens, farms, and small breweries. Copper’s excellent heat conductivity made it ideal for preparing large quantities of food, brewing beer, or heating water. Such vessels were often passed down through generations, valued for their durability and the way they improved with age. Today, they stand as evocative reminders of pre‑industrial craftsmanship and the rhythms of daily life in 19th‑century France.
While no longer used for brewing, the kettle has found a new life as a decorative and highly practical interior element. Its scale and sculptural presence make it ideal as firewood storage beside a stove or fireplace, where the warm copper tones complement both rustic and contemporary settings. It also works beautifully as a planter, umbrella stand, or statement piece in kitchens, entryways, or living spaces. The combination of historical authenticity, material richness, and functional adaptability gives it a timeless appeal.
Dimensions:
Height: 48 cm
Width: 79 cm
Depth: 67 cm
Ref. 26-0061
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Large Painting by Marja Boekhout, Belgium, 2004
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A vibrant and expressive large‑scale painting by Belgian artist Marja Boekhout, created in 2004 and showcasing her unmistakable visual language; bold color fields, rhythmic outlines, and a poetic, almost dreamlike interpretation of the rural landscape. This work captures the essence of her style: joyful, graphic, and deeply rooted in a sense of place.
The composition unfolds like a stylized tapestry of fields, trees, and village architecture, arranged in harmonious geometric blocks. Boekhout’s use of saturated greens, yellows, oranges, and blues creates a dynamic interplay between land and sky, while the strong outlines lend the work a modern, almost sculptural clarity. The rising sun and swirling sky introduce movement and emotion, transforming a quiet countryside scene into something lyrical and alive.
Boekhout’s characteristic layering of paint and texture gives the surface a tactile richness. The simplified forms; rounded trees, patterned fields, and the central church, evoke both folk art and contemporary abstraction. Her initials, discreetly placed, affirm the personal connection she maintains with her landscapes.
Active in Belgium’s contemporary art scene, Marja Boekhout is known for her colorful, optimistic interpretations of nature and village life. Her work bridges the gap between abstraction and representation, offering viewers a world that is both familiar and reimagined. This 2004 painting reflects a mature period in her practice, where composition, color, and emotional resonance come together with confidence.
With its generous scale and radiant palette, the painting becomes an immediate focal point in any interior. It brings warmth, energy, and a touch of whimsy to modern, eclectic, or minimalist spaces. Whether hung in a living room, office, or gallery setting, it invites viewers into a landscape that feels both timeless and joyfully contemporary.
Dimensions:
Height: 105 cm
Width: 105 cm
Depth: 3 cm
Ref. 26-0067
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Arts & Crafts Copper Oval Mirror, France ca. 1905
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This French Arts & Crafts oval mirror from around 1905 is a beautifully expressive example of early 20th‑century metalwork, created at a moment when the boundaries between Art Nouveau and the emerging Art Deco aesthetic were beginning to blur. Crafted in richly patinated copper, the frame combines hand‑hammered texture, subtle ornament, and a sculptural silhouette that reflects the artisanal ideals of the Arts & Crafts movement while anticipating the cleaner geometry that would define the decades to come.
The oval form is encased in a copper surround shaped with a rhythmic, hammered surface that catches the light in soft, irregular highlights. Embossed floral motifs introduce a naturalistic touch characteristic of Art Nouveau, while the segmented construction and riveted details lend the piece a more architectural presence associated with early Art Deco. The interplay of these stylistic languages gives the mirror a rare transitional character; organic yet structured, decorative yet restrained.
Around 1905, French makers were deeply engaged in elevating everyday objects through craftsmanship and honest materials. Copper, with its warmth and malleability, became a favored medium for mirrors, trays, and domestic accessories. This mirror embodies that philosophy: a functional object transformed into a work of art through hand‑wrought detail and thoughtful design.
In contemporary interiors, the mirror’s warm metallic tones and tactile surface make it a striking focal point. Its oval shape softens modern spaces, while the Arts & Crafts detailing introduces depth and historical richness. Whether placed in an entryway, above a console, or as part of a curated wall arrangement, it brings a sense of authenticity and artisanal beauty that resonates across styles.
Dimensions:
Height: 70 cm
Width: 52 cm
Depth: 2 cm
Ref. 26-0079
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Amsterdam School style solid Oak Mirror, The Netherlands ca. 1915
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This Amsterdamse School oak mirror from around 1915 is a beautifully preserved example of the expressive, architectural design language that defined Dutch decorative arts in the early 20th century. Crafted in solid oak with a warm, natural grain, the mirror embodies the movement’s characteristic blend of geometric rigor, sculptural detailing, and artisanal craftsmanship. Its strong vertical silhouette is crowned with a stepped, tiered crest—an unmistakable hallmark of the Amsterdam School’s fascination with rhythm, symmetry, and monumental form.
The frame’s construction reveals the movement’s deep roots in the ideals of the Arts & Crafts tradition, yet its bold geometry and contrasting wood tones signal the emerging modernist spirit that would shape Dutch design for decades. The interplay of lighter and darker oak elements creates a subtle architectural tension, while the clean lines and precise joinery reflect the exceptional skill of early 20th‑century Dutch cabinetmakers. This was a period when furniture and interior objects were conceived as integral components of a total artistic environment, and mirrors like this one were designed not merely as functional items but as sculptural accents within richly crafted interiors.
Around 1915, the Amsterdam School was at its creative peak, producing expressive, almost theatrical works that combined craftsmanship with a strong social and artistic vision. This mirror captures that ethos with clarity: robust yet refined, decorative yet disciplined, and unmistakably rooted in the cultural optimism of the era.
In contemporary interiors, the mirror’s architectural presence and warm oak tones make it a versatile focal point. It works beautifully in hallways, living rooms, or bedrooms, where its sculptural crest and clean proportions introduce depth, texture, and a touch of Dutch design heritage. Whether paired with modern minimalism or integrated into an eclectic setting, it brings a sense of authenticity and historical richness that elevates any space.
Dimensions:
Height: 69 cm
Width: 78 cm
Depth: 3 cm
Ref. 26-0084
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Arts & Crafts Mirror in green metal with glass decoration, France ca. 1905
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A striking early‑20th‑century French mirror from around 1905, blending the expressive curves of Art Nouveau with the handcrafted integrity of the Arts & Crafts movement. This piece stands out for its sculptural metalwork, richly textured surface, and jewel‑like decorative accents; an evocative example of the artistic experimentation flourishing in France at the turn of the century.
The frame features a gently arched silhouette, its contours softened by a mottled, patinated finish in deep green tones. At the corners and center, finely cast metal leaves unfurl in organic, asymmetrical forms, classic Art Nouveau motifs inspired by nature’s fluid lines. These elements are not merely decorative; they reflect the Arts & Crafts belief in honest materials and visible craftsmanship.
Set into the frame are small, round cabochon stones in rich blue and multicolored tones. These accents introduce a subtle sense of luxury and artistry, catching the light and adding depth to the mirror’s overall composition. Their placement; at the top, bottom, and lower corners, creates a balanced rhythm that guides the eye around the frame.
Around 1905, French designers were merging the sensuality of Art Nouveau with the handcrafted ethos of the Arts & Crafts movement. This mirror embodies that intersection: expressive yet restrained, decorative yet functional, and unmistakably crafted by hand. Its patina and detailing speak to more than a century of history.
With its unique color palette, sculptural metalwork, and elegant proportions, the mirror makes a captivating focal point in hallways, bedrooms, living spaces, or eclectic interiors. It brings warmth, artistry, and a touch of early‑20th‑century French romanticism to any setting.
Dimensions:
Height: 46 cm
Width: 64 cm
Depth: 3 cm
Ref. 26-0080
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Elegant Art Deco hammered Copper Fireplace Screen, France 1920s
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This elegant French fireplace screen from the 1920s captures the refined geometry and handcrafted spirit of the Art Deco era. Fashioned from richly patinated copper, the screen presents a striking balance between decorative artistry and functional design. Its hammered surface catches the light with subtle irregularity, revealing the handwork of the artisan and giving the piece a warm, tactile presence.
At the center, an embossed motif; stylized and symmetrical, evokes the bold, streamlined ornamentation characteristic of early Art Deco metalwork. The design feels both architectural and organic, a perfect reflection of the movement’s fascination with modernity, craftsmanship, and stylized natural forms. The vertical side rods and rounded feet lend the screen a sense of structure and stability, while the copper’s mellow glow softens its silhouette.
Originally created to stand before a hearth, the screen now serves equally well as a sculptural decorative object, adding depth and texture to contemporary interiors. Its combination of hammered metal, elegant proportions, and 1920s French craftsmanship gives it a timeless appeal; an object that speaks quietly yet confidently of its era.
A beautiful example of early Art Deco metalwork, rich in character and presence.
Width base: 65 cm x 12 cm
Dimensions:
Height: 71 cm
Width: 54 cm
Depth: 2 cm
Ref. 26-0081
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Modern Painting by Hans Vandekerkhove, San Galgano 2009
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This atmospheric work by Belgian artist Hans Vandekerkhove, painted in 2009, reflects his distinctive exploration of architecture, solitude, and the metaphysical qualities of space. San Galgano presents a long, receding corridor of arches rendered in luminous gradients of warm and cool tones, creating a powerful interplay of shadow, light, and perspective. The composition draws the viewer inward, guiding the eye toward a darkened threshold at the far end; an invitation into mystery, contemplation, and quiet tension.
Vandekerkhove’s work often balances realism with a dreamlike stillness, and this painting is no exception. The arches appear monumental yet weightless, their colors shifting from deep purples and blues to glowing golds and terracotta hues. A solitary figure stands at the center of the passage, small in scale but essential to the emotional resonance of the scene. Their presence introduces a human dimension to the otherwise architectural meditation, heightening the sense of introspection and narrative ambiguity.
Executed on canvas and signed on the reverse, the painting exemplifies Vandekerkhove’s mature style; precise, poetic, and deeply atmospheric. It carries the quiet intensity that defines his oeuvre, making it a compelling focal point in both contemporary and minimalist interiors. San Galgano is not merely a depiction of a place; it is an invitation into a state of mind, where silence, structure, and color converge into a powerful visual experience.
Dimensions:
Height: 67 cm
Width: 87 cm
Depth: 5 cm
Ref. 25-0503
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Art Deco Copper‑Plated Metal Mirror, Belgium ca. 1925
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This elegant Belgian Art Deco mirror from around 1925 embodies the refined geometry and subtle glamour that defined the early decades of modern European design. Its oval form is framed by a slim border of copper‑plated metal, the surface aged to a warm, understated patina that enhances the mirror’s vintage character. The simplicity of the frame allows the material itself to speak; sleek, modern, and gently luminous, capturing the Art Deco fascination with metals, clean contours, and luxurious restraint.
The mirror’s silhouette is both functional and decorative, offering a timeless presence that suits a wide range of interiors. Its minimalist elegance reflects the Belgian interpretation of Art Deco, where craftsmanship and material quality often took precedence over heavy ornamentation. Nearly a century later, the piece retains its quiet sophistication, its copper tones softening with age and adding depth to the overall composition.
Perfect for an entryway, bedroom, or curated gallery wall, this mirror brings a touch of 1920s modernity into contemporary spaces. Its combination of simplicity, authenticity, and subtle decorative appeal makes it a versatile and evocative accent; an object that carries the spirit of early 20th‑century Belgian design with effortless grace.
Dimensions:
Height: 71 cm
Width: 56 cm
Depth: 1,5 cm
Ref. 26-0097
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Large copper church candle holder, France 19th century
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A striking and atmospheric 19th‑century French church candle holder, crafted in richly patinated copper and designed for ecclesiastical interiors. This impressive piece reflects the devotional craftsmanship of the period, when liturgical objects were made to embody both spiritual symbolism and artisanal excellence.
The tall, twisted central column rises with sculptural presence, culminating in a broad circular drip plate with a central spike for securing a large candle. The base is particularly expressive, resting on three boldly formed feet and adorned with ornate detailing typical of late‑19th‑century French metalwork. Its warm, time‑worn surface bears the deep patina of decades of use, adding authenticity and character.
Originally intended for church aisles, chapels, or ceremonial spaces, the candle holder now serves as a dramatic decorative object; equally compelling in a modern interior, historic home, or curated design setting. Its scale, craftsmanship, and historical resonance make it a rare and evocative find.
Height till dish: 110 cm
Diameter dish: 17 cm
Dimensions:
Height: 122 cm
Diameter: 23 cm
Ref. 26-0111
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Set of 4 Adolf Loos brass art nouveau wall hooks, Vienna, Austria ca. 1910
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A rare and elegant set of four beautiful and elegantly curved Art Nouveau coat hooks by Adolf Loos, produced in Vienna around 1910. These hooks embody the architect’s celebrated rejection of superfluous ornament in favor of pure, functional beauty. Designed circa 1916 by Adolf Loos (1870 - 1933) for the Jugendstil Café Capua in Vienna.
Each hook is crafted in nickel-plated brass with a gently curved double‑arm form, offering both utility and sculptural clarity. The clean lines, balanced proportions, and subtle detailing reflect the transition from late‑Secessionist decoration toward the restrained, rational elegance championed by Loos. Their warm, aged patina enhances the authenticity and historic character of the set.
Originally intended for for the Jugendstil Café Capua in Vienna and refined Viennese interiors; private apartments, offices, or boutique commercial spaces, these hooks remain highly functional while serving as collectible examples of early 20th‑century design history. Mounted together or used individually, they bring a touch of Wiener Moderne sophistication to any contemporary setting.
Dimensions:
Height: 14 cm
Width: 4 cm
Depth: 12,5 cm
Ref. 26-0062
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Rare De Coene Chess Set With Original Box Attr. to Christophe Gevers, Belgium, 1950s
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This iconic schaakspel (chess set) was most likely designed by the influential Belgian architect‑designer Christophe Gevers (1928–2007) in the 1950s and produced by the renowned furniture manufacturer De Coene. The set is a masterclass in mid-century modernism, featuring abstract, geometric wooden pieces that simplify traditional chess forms. Typically crafted from high-quality woods like teak or rosewood, reflecting De Coene's reputation for exceptional craftsmanship. The innovative cardboard storage functions as a sliding sleeve or case, where the pieces can be tucked away when not in play.
The pieces, turned from contrasting woods, reveal a sensitivity to material and proportion: cones, cylinders, and subtly varied silhouettes distinguish rank and function with quiet precision. Their presence on the board is almost sculptural, transforming the game into a landscape of rhythm, balance, and abstraction. The wooden board itself complements the ensemble with its clean lines and warm tonal interplay, reinforcing the set’s modernist clarity.
Adding to its rarity and desirability, the chess set is accompanied by its original De Coene box; an evocative artifact that underscores the piece’s provenance and mid‑century heritage. The box bears the unmistakable De Coene branding, a reminder of the company’s long-standing reputation for craftsmanship and innovation in Belgian furniture and decorative arts.
A collector’s piece of exceptional quality that, at the time, was made as a gift for special clients. This chess set stands at the intersection of design, sculpture, and functional art. Its combination of minimalist elegance, historical significance, and preserved original packaging makes it a remarkable acquisition for enthusiasts of Belgian modernism and mid‑century design.
Dimensions box:
Height: 10 cm
Width: 40 cm
Depth: 39 cm
Dimensions board:
Height: 38,5 cm
Depth: 38,5 cm
Dimensions pieces:
Height: 3,5 cm - 8 cm
Ref. 26-0106
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Art Deco picture frame with marble base, France 1920s
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A refined and atmospheric example of French Art Deco design, this 1920s picture frame combines sleek geometry with the luxurious material palette that defined the era. The rectangular mirror‑like frame, supported by two polished metal uprights, stands elegantly on a richly veined marble base whose warm tones and natural patterning provide a striking visual counterpoint to the cool metallic structure above.
The composition is both architectural and understated: clean lines, balanced proportions, and a subtle interplay of textures that allow the frame to function as both a practical display piece and a sculptural decorative object. Its silhouette reflects the modernist sensibilities emerging in France during the interwar years, where everyday items were elevated through thoughtful design and high‑quality materials.
Showing only a few small traces of use consistent with its age, the frame retains its original charm and authenticity. Perfect for displaying a photograph, small artwork, or even used as a standalone decorative accent, it brings a touch of 1920s elegance and Art Deco sophistication to any interior.
A beautifully preserved piece that captures the glamour, craftsmanship, and modernity of French Art Deco.
Dimensions:
Height: 26 cm
Width: 26 cm
Depth: 6 cm
Glass: 24 cm x 18 cm
Ref. 26-0150
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Geometric octagonal wooden Art Deco mirror, Italy ca. 1925
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A striking example of early Italian Art Deco design, this geometric wooden mirror from around 1925 embodies the movement’s fascination with clean lines, architectural form, and refined craftsmanship. Its elongated octagonal silhouette, framed by stepped wooden elements at the top and bottom, creates a bold yet elegant profile that feels both sculptural and modern.
The warm, polished wood highlights the natural grain while emphasizing the mirror’s geometric rhythm, giving the piece a sense of depth and quiet sophistication. Its proportions are slender and vertical, making it ideal for hallways, dressing areas, or as a statement accent in a curated interior. The craftsmanship is unmistakably Italian; precise joinery, balanced symmetry, and a harmonious interplay between simplicity and ornament.
Evocative of the transitional moment between late Liberty style and the emerging Deco aesthetic, this mirror offers a timeless decorative presence. A refined and authentic piece that brings the elegance and modernity of 1920s Italy into contemporary spaces.
Dimensions:
Height: 77,5 cm
Width: 28 cm
Depth: 7 cm
Ref. 26-0129
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Early Art Deco umbrella stand in wood and metal, France ca. 1910
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An elegant and rare early Art Deco umbrella stand from France, circa 1910, combining warm wood craftsmanship with sleek metal detailing. The design reflects the transitional moment between late Belle Époque ornamentation and the emerging modernist clarity of the Art Deco movement.
The stand features a rectangular structure with two compartments of differing heights, each fitted with polished metal rods that provide both visual rhythm and functional support. The interior is finished in a deep, lustrous dark red, adding a refined contrast to the honey-toned exterior and emphasizing the piece’s sophisticated character.
Professionally restored, this umbrella stand retains its original charm while offering renewed luster and stability. A striking accent for entryways or interiors that value historical craftsmanship and understated modernity.
Dimensions:
Height: 50 cm
Width: 36,5 cm
Depth: 22 cm
Ref. 26-0131
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Art Deco wooden umbrella stand, Italy 1920s
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A refined Italian Art Deco umbrella stand from the 1920s, crafted in warm‑toned wood with a clean, architectural silhouette characteristic of the period. The piece has been professionally restored, bringing out the depth of the grain and the elegance of its geometric proportions.
The interior features a zinc liner, making it both practical for daily use and protective against moisture. Its understated yet sculptural presence makes it an ideal accent for an entryway, hallway, or vestibule; equally functional and decorative.
A beautiful example of early 20th‑century Italian craftsmanship, offering a timeless blend of utility and Art Deco sophistication.
Dimensions:
Height: 52 cm
Width: 25 cm
Depth: 25 cm
Ref. 26-0134
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Art Nouveau planter in metal and copper, France ca. 1905
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A beautifully crafted French Art Nouveau planter dating to around 1905, combining wrought metalwork with a richly patinated copper bowl. The piece showcases the organic elegance characteristic of the movement: flowing lines, delicate scrolls, and botanical motifs that appear to grow naturally from the structure.
The hammered copper vessel sits within an ornate metal frame, creating a striking interplay of textures; warm, glowing copper against the darker, sculptural ironwork. Its proportions make it ideal as a decorative accent in an entryway, conservatory, or living space, whether used as a planter or as an artistic standalone object.
A refined example of early 20th‑century French craftsmanship, offering both functional utility and the expressive beauty of the Art Nouveau period.
Diameter dish: 22 cm
Dimensions:
Height: 80 cm
Width: 30 cm
Depth: 30 cm
Ref. 26-0293
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Art Deco Whiskey Tray in Metal and Wood, Belgium 1920s
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A striking Belgian Art Deco whiskey tray from the 1920s, combining geometric precision with rich material contrast. The octagonal form features a polished metal frame and sculpted wooden handles, framing a surface of deep, figured wood veneer inlaid with lighter geometric motifs.
The interplay of tones; from the warm walnut hues to the pale inlays, creates a refined visual rhythm typical of early modernist design. This piece embodies the sophistication of Belgian Art Deco craftsmanship, where utility meets artistry.
Dimensions:
Height: 3 cm
Width: 35,5 cm
Depth: 31,5 cm
Ref. 26-0243
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Art Deco coatrack in oak and copper, Belgium 1920s
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A striking Belgian Art Deco wall-mounted coat rack from the 1920s, crafted in solid oak with polished copper hooks shaped like stylized hands; a beautiful detail that captures the era’s fascination with craftsmanship and symbolism. The geometric silhouette, with its angular panels and stepped shelf, reflects the architectural precision typical of early Art Deco design.
The warm oak tones contrast elegantly with the gleaming copper, creating a refined interplay of materials. The hooks’ sculptural form adds both charm and functionality, making this piece a perfect accent for an entryway or dressing area.
Dimensions:
Height: 28,5 cm
Width: 90 cm
Depth: 17 cm
Ref. 26-0308
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Antique walnut mirror, United Kingdom ca. 1850
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A characterful mid‑19th‑century English mirror in solid walnut, presenting a warm, naturally aged patina and a simple, honest silhouette typical of rural Victorian craftsmanship. The frame shows a few old, treated traces of woodworm, fully stabilized and no longer active. These marks contribute to the authentic charm of the piece rather than detract from it.
The mirror plate displays subtle signs of age, including light oxidation and surface irregularities, giving it the soft, atmospheric quality collectors value in original 19th‑century glass. Together, the warm walnut and gently aged mirror surface create a timeless, understated presence suitable for both traditional and contemporary interiors.
A refined yet rustic example of British craftsmanship from around 1850, offering authenticity, material warmth, and decorative versatility.
Dimensions:
Height: 105 cm
Width: 62 cm
Depth: 4 cm
Ref. 26-0313
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Antique oak rustic wall mirror, France ca. 1820
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A beautifully authentic early‑19th‑century French wall mirror crafted in solid oak, distinguished by its rustic character and understated, architectural simplicity. The frame shows the tactile charm of hand‑worked wood, with visible grain, natural irregularities, and traditional joinery that speak to its age and craftsmanship.
The oak has developed a deep, warm patina over two centuries, giving the piece a grounded, organic presence. The mirror plate is original or early, showing gentle signs of age that add atmosphere and authenticity without compromising usability. Its rustic yet refined look makes it a versatile accent; equally at home in a farmhouse interior, a wabi‑sabi setting, or a contemporary space that benefits from a touch of historic texture.
A rare and honest example of provincial French craftsmanship from around 1820.
Dimensions:
Height: 51,5 cm
Width: 42 cm
Depth: 2,5 cm
Ref. 26-0314
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Antique Rococo style Fireback in cast iron, France ca. 1780
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A richly detailed 18th‑century French Rococo fireback in solid cast iron, featuring an ornate central relief with scrolling foliage, asymmetrical curves, and playful putti; hallmarks of the late Rococo decorative vocabulary. Produced around 1780, this piece embodies the transition from the exuberant Louis XV aesthetic toward the more restrained early Louis XVI period, while still retaining the movement, sensuality, and theatricality associated with Rococo ornament.
The central panel displays three cherubic figures framed by volutes, acanthus leaves, and a cresting motif, all crisply cast and beautifully preserved. The hinged side panels; rare survivors, add architectural presence and emphasize the object’s original function as both a protective and decorative element within a grand French hearth.
The iron surface shows a deep, even patina developed over centuries, enhancing the sculptural depth of the relief. Robust, heavy, and visually commanding, this fireback works equally well as a functional fireplace element or as a decorative wall piece, adding historical gravitas to both classical and contemporary interiors.
Condition
Wear consistent with age and use. Beautiful natural patina; no structural issues.
Dimensions:
Height: 98 cm
Width: 122,5 cm
Depth: 28 cm
Ref. 26-0154
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Pair large Art Deco geometric square oak planters, France 1930s
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A striking pair of large geometric oak planters dating to the 1930s, crafted in France. Each planter features a strong architectural silhouette: a tapered square body rising from a stepped pedestal base, executed in solid oak with a warm, refined patina.
The proportions are generous and sculptural, making them ideal as statement pieces in entryways, living spaces, or flanking a console or fireplace. Their clean geometry bridges Art Deco and modernist aesthetics, offering both decorative presence and functional versatility.
The interior of each planter is unlined (no zinc insert present) allowing decorators to use them with custom liners, dried arrangements, or as sculptural vessels.
A rare matched pair with beautiful symmetry and strong decorative impact.
Measurements interior: 40 cm x 44 cm x 44 cm
Dimensions:
Height: 84 cm
Width: 50 cm
Depth: 50 cm
Ref. 26-0307
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Louis XV style root veneer mirror with scalloped curved frame and oister crest, France late 19th century
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A refined Louis XV mirror from late‑19th‑century France, crafted in richly figured root veneer and shaped into an elegant scalloped Rococo frame. The mirror features a beautifully carved rocaille shell crest, a signature element of Rococo design, adding movement and decorative flourish to the silhouette.
The warm, natural patina of the root veneer highlights the depth and variation of the wood grain, giving the piece its distinctive character. Minor age‑related marks are present, consistent with an authentic French antique mirror from circa 1880.
This Louis XV‑style mirror is ideal for collectors and decorators seeking a Rococo revival accent with genuine period charm. Perfect above a console, in an entryway, or as a statement piece in a refined interior.
Dimensions:
Height: 72.5 cm
Width: 37.5 cm
Depth: 3.5 cm
Ref. 26-0324
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Black laquered and gilted wooden Louis Philippe mirror, France ca. 1850
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This elegant Louis Philippe mirror, crafted in France circa 1850, embodies the understated refinement of mid‑19th‑century French design. Its arched rectangular frame, finished in deep black lacquer, is accented by a delicate gilt inner molding that catches the light with quiet sophistication. The contrast between the glossy black and the warm gold leaf reflects the subtle luxury characteristic of the Louis Philippe period, where simplicity and proportion replaced the exuberance of earlier styles.
The mirror retains its original mercury glass, showing gentle age speckling that adds depth and authenticity to its reflection. The craftsmanship reveals the precision of French cabinetmakers of the time; smooth contours, restrained ornamentation, and a focus on material quality.
Perfect for both classic and contemporary interiors, this antique mirror brings a sense of timeless elegance to any space. Whether placed above a mantel, console, or in a hallway, it enhances light and scale while serving as a refined focal point.
Dimensions:
Height: 116 cm
Width: 65 cm
Depth: 4 cm
Ref. 26-0326
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Baroque style giltwood mirror with acanthus carvings, France ca. 1880
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An opulent Baroque‑style mirror from late‑19th‑century France, richly carved in giltwood with exuberant acanthus leaf motifs. The frame’s deep relief and rhythmic scrollwork capture the grandeur of the Baroque revival, while the luminous gilding adds warmth and sophistication.
The mirror’s layered molding; from beaded inner border to bold outer foliate carvings, reflects the craftsmanship and decorative exuberance typical of French ateliers circa 1880. Its antique gold patina enhances the sculptural depth, creating a piece that radiates both history and elegance.
Perfect for classic interiors, eclectic spaces, or gallery walls, this mirror serves as a statement of refined taste and timeless artistry.
Dimensions:
Height: 84 cm
Width: 67 cm
Depth: 10 cm
Ref. 26-0350
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Antique French Oak Wall Salt Box, ca. 1850
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A beautifully aged French oak wall‑mounted salt box dating to the mid‑19th century. Handcrafted in solid oak, this rustic piece embodies the simplicity and utility of rural French craftsmanship. The slanted lid, arched backplate with hanging aperture, and mortise‑and‑tenon joints reveal its authentic construction, while the rich, time‑worn patina adds warmth and character.
Originally used in farmhouse kitchens to store salt, a precious commodity, this box now serves as a decorative accent for country, wabi‑sabi, or minimalist interiors. Its natural surface wear and honest materials evoke the tactile beauty of everyday 19th‑century domestic life.
Dimensions:
Height: 43,5 cm
Width: 35 cm
Depth: 25,5 cm
Ref. 26-0335
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Large Antique French Carved Oak Mirror, Late 19th Century
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A magnificent French mirror featuring a richly hand‑carved oak frame with deep relief detailing of foliate and scroll motifs. The craftsmanship reveals the artistry of early 20th‑century woodcarving, with each leaf and tendril meticulously sculpted to create a dynamic interplay of shadow and texture. The frame’s warm patina and subtle irregularities testify to its age and authenticity, while the generous scale makes it a commanding focal point in any interior.
Perfect for decorators and collectors, this mirror complements Arts & Crafts, Art Nouveau, or rustic French interiors, adding architectural presence and timeless elegance.
Dimensions:
Height: 140 cm
Width: 127 cm
Depth: 9 cm
Ref. 26-0156
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Art Nouveau Three‑Arm Candelabrum by WMF, Early 20th Century
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A refined example of Jugendstil metalwork, this three‑arm candelabrum by WMF (Württembergische Metallwarenfabrik) captures the lyrical elegance of early Art Nouveau design. Crafted in Britannia metal with silver plating, the piece features an architectural frame with openwork foliate motifs, riveted detailing, and brass candle sockets that add a warm contrast to the cool silvered surface.
The composition balances geometric precision with organic flow, a hallmark of the Secessionist aesthetic, while the gently oxidized patina enhances its sculptural presence. The underside bears the model number 653/B, confirming its authenticity within WMF’s early 20th‑century catalogue.
Dimensions:
Height: 32 cm
Width: 27,5 cm
Depth: 8 cm
Ref. 26-0327
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Art Nouveau Mirror in Oak with Gilded Inlay, France ca. 1915
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A graceful Art Nouveau wall mirror crafted in oak with gilded inlay, France, circa 1915. The frame’s flowing silhouette and stylized carved motifs embody the organic elegance of the period, while the arched upper corners and curved lower feet lend a subtle architectural rhythm. The linear gilded accents punctuate the warm oak grain, creating a refined interplay between geometry and nature; hallmarks of French Art Nouveau craftsmanship.
The mirror’s generous proportions and sculptural presence make it ideal for a hallway, salon, or dressing area, where it can serve as both a functional piece and a decorative focal point.
Minor signs of age and use add authenticity to its century‑old patina.
Dimensions:
Height: 128,5 cm
Width: 104 cm
Depth: 1,5 cm
Ref. 25-0600
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Art Nouveau tin candle holder by Achille Gamba, Italy ca. 1900
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A striking Art Nouveau candle holder attributed to Italian maker Achille Gamba, crafted around 1900 and distinguished by its sculptural presence and richly detailed metalwork. The design embodies the expressive, organic vocabulary of Italian Liberty style, where flowing lines, symbolic figures, and ornamental curves merge into a unified decorative composition.
The central column rises with elegant verticality and is crowned by a finely modelled group of figures, adding a narrative and almost architectural dimension to the piece. The branching arms support multiple candle cups, their sinuous forms echoing the naturalistic motifs that define the period. The tin surface has developed a deep, authentic patina that enhances the relief work and underscores the craftsmanship of early‑20th‑century Italian metal artisans.
This candle holder reads as both a functional lighting object and a sculptural centerpiece. Its scale, complexity, and artistic ambition make it an exceptional choice for decorators seeking a statement piece that introduces Italian Art Nouveau character, historic depth, and a touch of theatricality into a curated interior.
Dimensions:
Height: 52 cm
Width: 51 cm
Depth: 22,5 cm
Ref. 26-0100
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Pair Ceramic bookends by Godofridus Boonekamp for Plateelbakkerij Schoonhoven, Netherlands ca. 1920
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A sculptural and expressive pair of ceramic bookends designed by Godofridus Boonekamp for Plateelbakkerij Schoonhoven, dating to around 1920. These early‑modern Dutch pieces capture the transition from traditional figuration to the more stylised, symbolic forms that would define the interwar period. Each bookend features a human figure emerging from a geometric block, one leaning upward in an open, expansive gesture, the other folded inward in a contemplative pose. Together they create a compelling visual dialogue of tension and balance.
The glossy white glaze emphasises the purity of the silhouettes and the subtle modelling of the bodies, giving the pair a serene, almost architectural presence. Their minimalist yet emotive design makes them ideal for curated shelves, desks, or as sculptural accents within a modern or vintage interior.
A rare and characterful example of Dutch ceramic artistry from the early 20th century, combining craftsmanship, symbolism, and timeless decorative appeal.
Dimensions:
Height: 27,5 cm
Width: 15,5 cm
Depth: 20 cm
Ref. 26-0332
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French oval gilded oak carved art deco mirror, ca. 1925
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This French Art Deco mirror from around 1925 captures the refined glamour and sculptural elegance that define the period. Its carved oak wooden frame, finished in a warm gilded tone, combines stylized floral motifs with the geometric restraint characteristic of early Art Deco design. The oval form feels both architectural and decorative, giving the piece a graceful presence on the wall.
The mirror’s proportions make it a versatile statement piece, equally striking above a console, in a hallway, or as a focal point in a living space. The subtle aging of the frame adds depth and authenticity, while the clean reflective surface brings light and clarity to the room. It is a mirror that bridges eras: the decorative richness of the 1920s paired with a modern simplicity that suits contemporary interiors.
With its French origin, sculptural detailing, and timeless silhouette, this Art Deco mirror offers a sophisticated accent for collectors and design enthusiasts who appreciate objects with history, craftsmanship, and quiet luxury.
Dimensions:
Height: 95 cm
Width: 76 cm
Depth: 4 cm
Ref. 26-0357
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French rococo style richly sculpted gilted oak mirror, 19th century
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This 19th‑century French Rococo‑style mirror is a richly sculpted piece that captures the opulence and theatrical elegance of the period. Carved in oak and finished with a warm gilt surface, the frame displays an abundance of flowing scrolls, floral motifs, and expressive ornamentation. At the crest, two beautifully carved figures flank a central flourish, adding a sense of movement and artistry that defines the Rococo aesthetic.
The mirror’s generous proportions and intricate detailing give it a commanding presence on the wall. Its gilded finish brings depth and luminosity, while the craftsmanship reveals the hand of a skilled woodcarver working in the tradition of 18th‑century French decorative arts. Despite its ornate character, the piece integrates seamlessly into both classical and contemporary interiors, where its sculptural quality becomes a focal point.
As a decorative object, it offers a blend of history, luxury, and artistry. Whether placed in an entryway, above a console, or as a statement in a living space, this Rococo‑style mirror enriches the room with its refined drama and unmistakable French charm.
Dimensions:
Height: 108 cm
Width: 66 cm
Depth: 5 cm
Ref. 26-0355
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French classical mirror with gilded details, ca. 1900
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This French classical mirror from around 1900 combines refined architectural lines with beautifully executed gilded ornamentation. The frame pairs warm, polished wood with richly carved gilt details, creating a balanced composition that feels both stately and inviting. Leaf motifs, subtle scrollwork, and a softly aged patina highlight the craftsmanship typical of late‑19th‑century French decorative arts.
The mirror’s generous proportions make it an impressive focal point in any interior. Its classical silhouette brings structure and elegance, while the gilded accents catch the light and add a touch of quiet luxury. Whether placed in an entryway, above a console, or integrated into a living space, it offers a timeless decorative presence that complements both traditional and contemporary settings.
With its French origin, harmonious design, and beautifully preserved gilded details, this ca. 1900 mirror is a sophisticated piece that enriches any room with warmth, history, and understated grandeur.
Dimensions:
Height: 115 cm
Width: 76 cm
Depth: 5,5 cm
Ref. 26-0363
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Art Deco oval gilt oak mirror, Belgium 1920s
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This Belgian Art Deco mirror from the 1920s embodies the refined geometry and warm materiality characteristic of the period. Crafted in solid oak, the circular frame features subtle carved detailing and a softly aged finish that highlights the natural grain of the wood. Its clean, rounded silhouette reflects the early Art Deco shift toward simplified forms and balanced proportions.
The mirror’s compact yet sculptural presence makes it a versatile decorative accent. It works beautifully in an entryway, above a console, or as part of a curated wall arrangement, where its warm oak tone and understated ornamentation bring depth and texture to the space. The piece carries the quiet elegance of Belgian craftsmanship, offering a harmonious blend of modernist clarity and artisanal charm.
With its 1920s origin, solid oak construction, and timeless Art Deco character, this mirror adds a touch of historical sophistication to both contemporary and vintage interiors.
Dimensions:
Height: 60,5 cm
Width: 71 cm
Depth: 4 cm
Ref. 26-0358
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Late Gothic carved oak relief panel, France 15th century
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A rare fragment of late Gothic craftsmanship from 15th‑century France, this carved oak panel reveals the architectural poetry of medieval tracery. The design features intersecting pointed arches and quatrefoil motifs, deeply sculpted into the aged wood with remarkable precision. Its surface bears the marks of time, a rich, dark patina and traces of historic woodworm, all professionally treated, that testify to centuries of survival.
Originally part of a larger ecclesiastical or domestic furnishing, the panel embodies the spiritual geometry and artisanal mastery of the Gothic era. The rhythmic interplay of line and void evokes cathedral windows in miniature, making it a compelling decorative relic and study piece for collectors of medieval art.
Dimensions:
Height: 35 cm
Width: 24,5 cm
Depth: 2,5 cm
Ref. 26-0352
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Early 16th Gothic century carved oak relief panel, France
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A finely carved oak relief panel from early 16th‑century France, showcasing the restrained elegance of late Gothic design. The vertical composition features elongated fluted forms terminating in stylized trefoil motifs, carved with confident precision into solid oak. The panel’s surface bears a deep, warm patina and traces of age that speak to its centuries of history.
This double‑sided fragment likely originated from ecclesiastical or domestic architecture, perhaps a door or chest front, and exemplifies the transition from medieval austerity to Renaissance refinement. Its tactile grain and subtle asymmetry reveal the hand of a skilled artisan working with traditional tools.
A compelling piece of architectural sculpture, valued for its authenticity and quiet monumentality.
Dimensions:
Height: 51 cm
Width: 28,5 cm
Depth: 2,5 cm
Ref. 26-0353
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Louis XVI Gilt oak Angel Figure part of a altar, Early 18th Century
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An exquisite early‑18th‑century French giltwood sculpture depicting a winged angel, originally part of a Louis XVI altar ensemble. The figure stands gracefully on an ornate pedestal carved with acanthus motifs, holding one arm aloft in a gesture of blessing or offering. A basket of flowers crowns her head, symbolizing abundance and divine grace.
The carving reveals exceptional craftsmanship; delicate facial features, flowing drapery, and finely detailed wings; all enhanced by the warm glow of the original gilding. The surface bears a gentle patina consistent with age, adding depth and authenticity to its sacred presence.
This piece embodies the refined elegance of French ecclesiastical art from the Louis XVI period, merging spiritual symbolism with sculptural mastery.
Dimensions:
Height: 109 cm
Width: 28 cm
Depth: 28 cm
Ref. 26-0360
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French hand-forged Iron Spike Stand or torchere, 15th century
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An exceptional example of medieval French craftsmanship, this hand‑forged iron spike stand dates to the 15th century and embodies the austere beauty of Gothic domestic metalwork. The tall, slender form rises from a tripod base with scroll‑ended feet, each hammered and shaped by hand to achieve perfect balance and stability.
The vertical shaft culminates in a tapered spike designed to hold a large candle or wax torch; a functional yet sculptural element that once illuminated stone interiors. The surface retains its original patina, rich with centuries of oxidation and subtle textural irregularities that testify to its age and authenticity.
This piece stands as a rare survivor of early French ironwork, merging utility and artistry in a minimalist silhouette. Ideal for collectors of Gothic decorative arts or as a dramatic accent in modern interiors seeking historical contrast.
Dimensions:
Height: 171 cm
Width: 47 cm
Depth: 47 cm
Ref. 26-0402
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Carved Wooden Sint-Cornelius Figure with Papal Tiara and Triple Cross Staff, 18th century
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An expressive 18th‑century carved wooden figure representing Saint Cornelius, depicted in full papal regalia. The saint stands solemnly, holding a triple cross staff; the symbol of papal authority, and wearing a tiered tiara topped with a cross. His robe falls in vertical folds, emphasizing the elongated form and serene posture typical of provincial devotional sculpture.
The carving reveals a rustic yet dignified craftsmanship, with strong facial features and a warm patina acquired over centuries. The base includes subtle decorative motifs, possibly symbolic animals, adding narrative depth to the composition.
This piece embodies the devotional artistry of rural ecclesiastical workshops, merging spiritual reverence with tactile simplicity.
Dimensions:
Height: 50 cm
Width: 15 cm
Depth: 8 cm
Ref. 26-0386
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Marine seascape with sailing ships - Herman Van den Berghe, ca. 1900-1920
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This atmospheric marine seascape by Herman Van den Berghe beautifully captures the quiet majesty of early 20th‑century maritime life. The composition features two vessels, one steam‑powered, one sail, set against a misty horizon rendered in soft, layered blues and greys. The artist’s brushwork evokes the shimmer of light on water and the subtle movement of waves, typical of Belgian Impressionist marine painting from around 1900–1920.
The carved giltwood frame complements the work’s tonal harmony, its scrolling ornament lending a period authenticity. Minor wear to the gilding and edges is consistent with age, while the canvas and paint layer remain in good condition. The signature, visible lower right, reads Herman Van den Berghe, confirming authorship.
This piece would appeal to collectors of Belgian Impressionism or marine art, offering a serene glimpse of industrial and sailing vessels coexisting at the turn of the century; a moment when tradition met modernity on the water.
Dimensions:
Height: 49 cm
Width: 63 cm
Depth: 6 cm
Ref. 26-0405
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Louis XV style carved giltwood mirror with floral crest, France, 18th century
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An elegant Louis XV‑style mirror from 18th‑century France, finely carved in giltwood with a pierced scrolling frame and a crest centered on a basket‑of‑flowers motif flanked by C‑scrolls and acanthus flourishes. The composition exemplifies Rococo grace; light, asymmetrical, and richly ornamental, while maintaining a balanced architectural outline.
The mirror retains its original wooden backboards and antique mirror plate, both consistent with its period craftsmanship. The gilding shows natural wear and rubbing through to the underlying gesso and wood, creating a warm, authentic patina that speaks to its age. Structurally solid and ready for display, though it could be re‑gilded or lightly restored if a brighter finish is desired.
Dimensions:
Height: 108 cm
Width: 55 cm
Depth: 3,5 cm
Ref. 26-0417
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Carved oak Gothic linenfold panel, Flanders, ca. 16th century
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A finely carved oak panel from 16th‑century Flanders, featuring Gothic linenfold‑style fluting with pointed‑arch tops and deeply channeled vertical folds. The rhythmic carving evokes the architectural tracery of late‑medieval design, balancing sculptural depth with refined linear symmetry.
Originally part of a larger piece of furniture; likely a chest front or door panel, this fragment now stands beautifully on its own as a decorative wall element. The oak has developed a rich, warm patina over centuries, with subtle wear that enhances its authenticity.
Structurally stable and well‑preserved, this panel forms an exact matching pair with reference 26‑0431 (photographed together but price per piece). It may be wall‑mounted or displayed as a sculptural artifact, offering a tangible link to Flemish Gothic craftsmanship.
Dimensions:
Height: 33,5 cm
Width:16,5 cm
Depth: 1 cm
Ref. 26-0430
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Carved oak Gothic linenfold panel, Flanders, ca. 16th century
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A finely carved oak panel from 16th‑century Flanders, featuring Gothic linenfold‑style fluting with pointed‑arch tops and deeply channeled vertical folds. The rhythmic carving evokes the architectural tracery of late‑medieval design, balancing sculptural depth with refined linear symmetry.
Originally part of a larger piece of furniture; likely a chest front or door panel, this fragment now stands beautifully on its own as a decorative wall element. The oak has developed a rich, warm patina over centuries, with subtle wear that enhances its authenticity.
Structurally stable and well‑preserved, this panel forms an exact matching pair with reference 26‑0431 (photographed together but price per piece). It may be wall‑mounted or displayed as a sculptural artifact, offering a tangible link to Flemish Gothic craftsmanship.
Dimensions:
Height: 33,5 cm
Width: 16,5 cm
Depth: 1 cm
Ref. 26-0431
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Black Forest style carved oak dog kennel, Switzerland/Germany, ca. 1850
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An exceptional Black Forest carved oak dog kennel, dating to around 1850, showcasing the region’s celebrated folk‑art craftsmanship. Shaped like a miniature chalet, the structure is richly carved with naturalistic motifs; branches, leaves, and bark textures, typical of the Black Forest tradition.
The dark oak surface retains a deep, lustrous patina, enhanced by time and use, while the interior features a contrasting red cushion, adding warmth and character. The proportions and detailing suggest it was conceived not merely as a functional kennel but as a decorative object, perhaps for a noble household or alpine lodge.
This rare piece embodies the romantic rusticity and sculptural artistry that define 19th‑century Black Forest woodwork, an enchanting addition to any collection of European decorative arts or animal‑themed antiques.
Dimensions:
Height: 50 cm
Width: 48 cm
Depth: 48,5 cm
Ref. 26-0423
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Neoclassical Giltwood Oak Mirror, Belgium, circa 1900
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An elegant Belgian mirror from around 1900, featuring a finely molded giltwood frame in the Neoclassical style. The rectangular oak structure is enriched with a repeating carved motif of stylized leaves and scrolls, highlighted by a warm gold finish with subtle burnishing that accentuates its depth and craftsmanship.
The mirror retains its original glass and backing, presenting a clean reflection and a refined silhouette suitable for both vertical and horizontal display. Minor wear to the gilding consistent with age adds charm and authenticity to its antique character.
This piece embodies the graceful symmetry and understated ornamentation typical of late‑19th‑century Belgian Neoclassicism—ideal for adding a touch of timeless refinement to any interior.
Dimensions:
Height: 83,5 cm
Width: 57 cm
Depth: 4,5 cm
Ref. 26-0537
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Art Nouveau Black Lacquer Fire Screen with Hand‑Painted Floral Motif, France, ca . 1910
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An elegant Art Nouveau fire screen from France, dating to around 1910, featuring a black lacquered panel with a hand‑painted floral motif in soft pink and green tones. The design captures the organic curves and stylized natural forms typical of the Art Nouveau movement.
The screen stands on a cast‑iron scrolled base with intricate detailing and graceful proportions, balancing decorative artistry with functional craftsmanship. The curved top edge and subtle gilt border lend refinement to its silhouette.
This piece embodies the romantic elegance and fluid lines of early 20th‑century French design; an exquisite accent for interiors inspired by Belle Époque sophistication.
Dimensions:
Height: 111,5 cm
Width: 54,5 cm
Depth: 19 cm
Ref. 26-0512
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Art Deco metal umbrella stand with geometric openwork and brass rim, Belgium, 1920s
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An elegant Belgian Art Deco umbrella stand from the 1920s, featuring a geometric openwork design in black‑painted metal with a brass‑toned rim. The structure combines twisted vertical rods and interlocking circular motifs, creating a balanced interplay of line and form typical of early modernist design.
The stand rests on a hexagonal base fitted with a metal drip tray, showing a naturally aged patina that complements its architectural silhouette. Its restrained geometry and subtle contrast between black and brass make it a refined accent for entryways or hall interiors.
A timeless example of Belgian Art Deco craftsmanship, merging functionality and sculptural elegance.
Two matching umbrella stands are available.
Dimensions:
Height: 54,5 cm
Width: 28,5 cm
Depth: 15 cm
Ref. 26-0554
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Art Deco metal umbrella stand with geometric openwork and brass rim, Belgium, 1920s
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An elegant Belgian Art Deco umbrella stand from the 1920s, featuring a geometric openwork design in black‑painted metal with a brass‑toned rim. The structure combines twisted vertical rods and interlocking circular motifs, creating a balanced interplay of line and form typical of early modernist design.
The stand rests on a hexagonal base fitted with a metal drip tray, showing a naturally aged patina that complements its architectural silhouette. Its restrained geometry and subtle contrast between black and brass make it a refined accent for entryways or hall interiors.
A timeless example of Belgian Art Deco craftsmanship, merging functionality and sculptural elegance.
Two matching umbrella stands are available.
Dimensions:
Height: 54,5 cm
Width: 28,5 cm
Depth: 15 cm
Ref. 26-0554
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Art Nouveau Black Lacquered Two-Panel Screen with Hand-Painted Irises, France ca. 1910
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An elegant French Art Nouveau folding screen dating from the early twentieth century, crafted as a two-panel room divider with a striking black lacquered ground. The surface is hand-painted with graceful iris blossoms and elongated foliage, rendered in rich shades of crimson, gold, olive green, and cream. The floral composition rises organically across both panels, reflecting the movement's fascination with nature and sinuous botanical forms.
The screen's gently undulating top edge enhances its sculptural silhouette, while the deep black lacquer provides a dramatic backdrop that accentuates the vibrant hand-painted decoration. Both practical and decorative, this piece serves beautifully as a room divider, firescreen, or accent panel, bringing a refined Art Nouveau presence to an interior.
Presented in good vintage condition, with minor wear and light losses to the painted decoration consistent with age and use, contributing to its authentic period character.
Dimensions:
Height: 120 cm
Width: 85 cm
Depth: 0,5 cm
Ref. 26-0557
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19th Century French Primitive Hollowed Oak Tree Trunk Planter
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A striking French primitive planter hand-carved from a solid oak tree trunk during the 19th century. Hollowed from a single section of timber, this substantial vessel embodies the raw beauty and honest utility of traditional rural craftsmanship.
The planter features a beautifully weathered surface that has developed a rich, organic patina over decades of exposure and use. Deep variations in color, natural fissures, tool marks, and age-related cracks contribute to its sculptural character, making it as much a decorative object as a functional planter. The interior reveals the hand-hewn construction, with visible carving marks that highlight its artisanal origins.
Its cylindrical form and textured surface lend themselves perfectly to wabi-sabi, rustic, primitive, and organic modern interiors. Whether used as a planter, cachepot, log holder, or standalone decorative vessel, it brings a sense of history and authenticity to any setting.
Presented in original antique condition, with age-related cracks, surface wear, and old traces of woodworm consistent with its age and long period of use.
Dimensions:
Height: 77 cm
Width: 68 cm
Depth: 66 cm
Ref. 26-0500
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Jugendstil Silver-Plated Box with Engraved Lid by Carl Deffner, Germany, circa 1910
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A refined German Jugendstil silver-plated box by the renowned manufacturer Carl Deffner, dating to around 1910. Elegant in its restraint, the piece exemplifies the transition from late Art Nouveau ornamentation toward the cleaner, geometric forms that would characterize early modern design.
The rectangular box stands on four delicate ball feet and is surmounted by a beautifully engraved lid featuring a stylized flowing floral motif. The decoration, composed of sweeping lines and organic curves, reflects the distinctive aesthetic of the German Jugendstil movement, where natural forms were translated into highly decorative yet disciplined patterns.
Opening the hinged lid reveals a finely crafted wooden interior divided into two compartments, providing practical storage for jewelry, correspondence, sewing accessories, desk items, or other treasured objects. The warm tone of the wood creates an attractive contrast with the silver-plated exterior.
The silver-plated surface has developed an authentic patina over time, enhancing the antique character of the piece and emphasizing its age and originality. Combining functionality with elegant craftsmanship, this box makes a sophisticated decorative accessory for both classic and contemporary interiors.
A charming example of early twentieth-century German decorative arts by one of the leading metalware manufacturers of the Jugendstil period.
Good condition with normal signs of age and use. The silver-plated surface displays age-related patina consistent with its age.
Dimensions:
Height: 7 cm
Width: 23 cm
Depth: 13 cm
Ref. 26-0576
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French Art Deco Cerused Oak Serving Tray with Raised Handles, 1920s
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A handsome French Art Deco serving tray crafted in cerused oak during the 1920s. The tray features a clean rectilinear form accented by two sculptural raised handles at either end, a characteristic expression of the geometric elegance associated with the Art Deco period.
The richly grained oak has been finished using the cerusing technique, which highlights the natural open grain with contrasting lighter tones, creating a sophisticated textured surface. The understated design and warm patina allow the material's character to take center stage, making this piece equally suited for practical use or display as a decorative accent.
Labels to the underside include Cupillard Orfèvre, Grenoble and a decorator's label, adding further historical interest and suggesting a retail or decorative arts provenance.
The tray remains in good vintage condition, showing normal wear and patina consistent with age and use.
Good vintage condition with age-appropriate wear, minor surface marks, and patina consistent with nearly a century of use.
Dimensions:
Height: 4,5 cm
Width: 46 cm
Depth: 25,5 cm
Ref. 26-0507
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16th Century Flemish Renaissance Carved Oak Panel with Female Portrait Medallion
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An exceptional Flemish Renaissance carved oak panel dating from the 16th century, featuring a finely carved female portrait enclosed within a circular medallion and framed by elegant scrolling foliage.
Executed in richly patinated oak, the composition reflects the influence of Renaissance ornament that flourished in the Southern Netherlands during the 16th century. The central bust is presented in relief within a roundel, surrounded by stylized acanthus and foliate scrollwork arranged in a balanced vertical composition. The crisp carving, deep relief, and architectural framing suggest that the panel originally formed part of an important piece of furniture, wall decoration, or interior woodwork.
Over the centuries, the oak has developed a warm, dark patina that accentuates the depth of the carving and highlights the sculptural quality of the ornament. The panel displays the refined craftsmanship and decorative vocabulary characteristic of Flemish Renaissance woodcarving, where human portraiture was frequently combined with classical and vegetal motifs.
Today, the piece makes a striking decorative object in its own right, equally suited to traditional, historic, and modern interiors.
Good antique condition with age-related wear and patina consistent with its age. Visible old woodworm traces, now inactive, as expected in oak carvings of this period.
Dimensions:
Height: 41 cm
Width: 16,5 cm
Depth: 4 cm
Ref. 26-0505
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Spanish Brutalist Oval Mirror in Hand-Carved Wood with Brass Studs, 20th Century
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A striking Spanish Brutalist oval mirror crafted in solid carved wood during the 20th century. The richly patinated frame is decorated with a rhythmic arrangement of hand-carved diamond-point motifs, each accented by a brass stud, creating a bold sculptural presence that reflects the raw craftsmanship and geometric aesthetic associated with the Brutalist movement.
The dark-stained wooden frame displays expressive carved details and a tactile surface texture, enhanced by the warm contrast of the aged brass elements. The combination of geometric relief carving and metal accents gives the mirror a strong architectural character while maintaining the warmth of natural materials.
With its distinctive form and artisanal construction, this mirror works beautifully in Brutalist, rustic, Spanish Colonial, wabi-sabi, and eclectic interiors. Whether displayed in an entryway, living room, bedroom, or hallway, it serves as both a functional mirror and a decorative statement piece.
The mirror remains in good vintage condition with minor wear and patina consistent with age and use.
Dimensions:
Height: 70 cm
Width: 56 cm
Depth: 4,5 cm
Ref. 26-0536
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French White Lacquered Metal Mirror with Looped Wire Frame and Fan Crest, 1950s
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A charming French wall mirror from the 1950s, distinguished by its elegant shield-shaped form and airy decorative metalwork. Crafted in white lacquered metal, the frame features delicate looped wire details running along both sides, creating a light and sculptural silhouette that reflects the refined decorative sensibilities of mid-century French design.
The mirror is crowned with a stylized fan-shaped crest, echoed by a smaller fan motif at the base, lending the piece a subtle neoclassical character while maintaining the playful elegance typical of French decorative arts from the period. The white lacquer finish enhances its delicate appearance and makes it particularly well suited to both traditional and modern interiors.
Age-related paint losses and areas of foxing and spotting to the mirror plate contribute to the authentic vintage character of the piece. The combination of decorative wirework, architectural symmetry, and softly aged surface gives the mirror a distinctive presence.
Ideal for use in an entryway, powder room, bedroom, or dressing area, this mirror serves as both a functional object and a decorative accent with unmistakable French mid-century charm.
Dimensions:
Height: 80 cm
Width: 69 cm
Depth: 9 cm
Ref. 26-0553
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Floral Motif, circa 1920
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An elegant French Venetian-style frameless mirror dating to the early 20th century, distinguished by its refined silhouette and delicate engraved decoration. Crafted around 1920, the mirror features a beautifully shaped rectangular form with softened corners and a bevelled glass border that reflects light with exceptional subtlety and depth.
The border is enriched with finely engraved floral ornamentation, including an elegant flower motif centered along the lower edge, accompanied by delicate scrolling foliage. Decorative glass rosettes and carefully faceted bevels contribute to the light, sophisticated aesthetic that made Venetian-inspired mirrors highly sought after during the Art Deco and late Belle Époque periods.
Unlike heavily ornamented framed examples, this piece relies on the craftsmanship of the glass itself, creating an understated elegance that remains timeless. The combination of engraved decoration, bevelled edges, and transparent detailing allows the mirror to blend effortlessly into both traditional and contemporary interiors.
The mirror retains attractive age-related character, with some spotting and light silvering losses to the glass, as well as oxidation to the original metal retaining clips. These imperfections are consistent with age and contribute to its authentic antique appeal.
A versatile decorative piece, ideal above a console, fireplace mantel, vanity, or in an entrance hall, where its refined Venetian-inspired design can bring light and sophistication to a room.
Dimensions:
Height: 48 cm
Width: 71,5 cm
Depth: 1,5 cm
Ref. 26-0584
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Belgian Art Deco Round Mirror with Geometric Wooden Frame, circa 1920
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A striking Belgian Art Deco mirror dating from around 1920, distinguished by its bold geometric composition and warm wooden construction. The circular frame is assembled from carefully shaped wooden segments arranged in an interlocking pattern, creating a dynamic sense of movement while maintaining the symmetry and balance characteristic of the Art Deco period.
The design is enhanced by contrasting dark geometric lines that accentuate the angular arrangement of the wooden elements, lending the mirror a strong architectural presence. The interplay between the rich wood tones and the graphic geometric detailing reflects the fascination with modernity, craftsmanship, and stylized form that defined European Art Deco design during the early decades of the twentieth century.
Elegant yet sculptural, the mirror functions as both a practical object and a decorative artwork. Its clean circular silhouette allows it to integrate effortlessly into Art Deco, Mid-Century Modern, contemporary, eclectic, and modern rustic interiors. Positioned above a console, sideboard, fireplace, or in an entrance hall, it creates a strong visual focal point while adding warmth and depth to a space.
The mirror remains in good vintage condition with normal signs of age and wear, consistent with its period and use.
Dimensions:
Height: 76 cm
Width: 76 cm
Depth: 2,5 cm
Ref. 26-0561
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Mid century Square rattan mirror, France, 1960s
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This charming mid-century French mirror features a square form presented on the diagonal, creating a distinctive diamond-shaped wall display. Crafted from slender rattan canes meticulously arranged in geometric patterns, the frame embodies the relaxed elegance and natural materials that became popular in French interiors during the 1960s.
The warm honey-toned rattan adds texture and organic character, making this mirror a versatile decorative accent suited to a variety of interiors, from coastal and bohemian settings to mid-century modern and eclectic spaces. Its compact proportions make it ideal for use in an entryway, bedroom, bathroom, or as part of a curated gallery wall.
The mirror remains in good vintage condition with a beautifully aged patina to the rattan. The original mirror glass shows some age-related wear and light desilvering along the edges, consistent with its age and contributing to its authentic vintage appeal.
Good vintage condition with normal signs of age and use. Minor wear to the rattan frame and age-related foxing/desilvering to the mirror plate.
Dimensions:
Height: 38,5 cm
Width: 38 cm
Depth: 2 cm
Ref. 26-0503
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Art Nouveau Oak Coat Rack with Mirror and Floral Carvings, Belgium, circa 1910
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A handsome Belgian Art Nouveau wall-mounted coat rack dating from the early 20th century, crafted in solid oak and showcasing the organic forms and decorative craftsmanship characteristic of the period. The design centers around a rectangular mirror framed by elegantly tapered uprights, flanked by stylized supports and crowned with a shelf fitted with four brass coat hooks.
The upper and lower panels are richly carved with flowing floral motifs and intertwining stems, reflecting the naturalistic aesthetic that defined the Art Nouveau movement. The warm oak grain and sculpted decoration give the piece both visual depth and a refined architectural presence, making it an attractive addition to an entrance hall, mudroom, cloakroom, or bedroom.
The original brass hooks provide practical functionality, while the mirror enhances light and space. The combination of carved ornamentation and honest craftsmanship captures the enduring appeal of Belgian Art Nouveau furniture from the years surrounding 1910.
Good vintage condition with normal signs of age and use. The mirror glass displays age-related spotting and wear consistent with its age. Minor wear to the oak and brass elements contributes to the authentic patina of the piece.
Dimensions:
Height: 63 cm
Width: 65 cm
Depth: 9 cm
Ref. 26-0502
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Pair of Neoclassical Silver Leaf Pier Mirrors with Ringed Columns and Cornice, Italy, ca. 1850
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An impressive pair of Italian neoclassical pier mirrors dating to the mid-19th century, distinguished by their exceptionally tall and slender proportions and refined architectural design. Each mirror is housed within a silver leaf frame featuring ringed columns that support a prominent projecting cornice, drawing inspiration from the symmetry and monumental forms of classical architecture.
The elegant vertical format enhances the perception of height and makes these mirrors particularly well suited for placement between windows, flanking a doorway, fireplace, console table, or architectural feature. Their matching design creates a strong decorative statement while remaining understated and sophisticated.
The original silvered finish has acquired a beautiful aged patina over time, emphasizing the depth of the carved details and lending each mirror an unmistakably authentic character. The ringed columns, molded bases, and geometric frieze beneath the cornice reflect the restrained ornamentation typical of neoclassical design.
Both mirrors retain their original antique mirror plates, which display age-related spotting, foxing, and areas of oxidation. These imperfections contribute to the historic charm of the pair and enhance their decorative appeal.
Good antique condition with normal signs of age and use. The silver leaf frames show wear, age-related patina, and minor losses consistent with their age. The original mirror glass exhibits spotting, foxing, and oxidation throughout, adding to the authentic antique character of the pair.
Dimensions per mirror:
Height: 158 cm
Width: 37 cm
Depth: 8,5 cm
Ref. 26-0509 26-0510
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Large French Gothic Oak Panel with Interlaced Geometric Carving, 16th Century
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A remarkable and highly decorative carved oak panel crafted in France during the 16th century. Executed in the Gothic tradition, the panel features an intricate arrangement of interlaced roundels, scrolling geometric forms, and stylized rosettes, creating a richly textured composition that reflects the ornamental vocabulary of late medieval French woodcarving.
The deeply carved relief displays a sophisticated interplay of circular motifs and interweaving patterns, framed within a raised border that enhances the architectural character of the piece. The warm, dark patina developed over centuries highlights the depth of the carving and emphasizes the handcrafted nature of the work.
Originally conceived as part of an architectural or ecclesiastical interior, the panel now serves as a striking wall-mounted decorative object. Its age is evidenced by old woodworm traces, surface wear, and minor losses along the edges, all of which contribute to its authenticity and historical presence. These signs of age are consistent with a piece that has survived for more than four centuries and do not detract from its visual appeal.
With its strong graphic composition and rich patination, this Gothic oak panel makes an exceptional decorative statement in both traditional and contemporary interiors, appealing to collectors of medieval art, architectural fragments, and early European antiques.
Good antique condition with age-related wear, old inactive woodworm traces, and minor losses to the edges consistent with its considerable age.
Dimensions:
Height: 79 cm
Width: 26 cm
Depth: 2 cm
Ref. 26-0539
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16th Century Gothic Wood Panel from France with Geometric Ornament
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An impressive and authentic Gothic carved oak panel crafted in France during the 16th century. Rich in age, texture, and craftsmanship, the panel displays a sophisticated arrangement of interlaced roundels, stylized rosettes, and flowing geometric motifs, characteristic of late Gothic ornamentation transitioning into the early Renaissance period.
Executed in deeply carved relief, the composition is organized within a molded border and features an intricate network of overlapping circular forms that create a striking sense of rhythm and movement across the surface. The central rosette motifs provide visual anchors within the decorative scheme, while the surrounding interwoven roundels demonstrate the remarkable skill of the original woodcarver.
The centuries have bestowed the oak with a deep, richly developed patina that enhances both the sculptural quality of the carving and the historical presence of the object. Traces of old, inactive woodworm activity, along with minor losses and wear along the edges, attest to the panel's considerable age and authenticity. These age-related characteristics contribute to its unique character and do not diminish its decorative impact.
Originally created as an architectural element, possibly forming part of a chest, wainscoting, or ecclesiastical furnishing, the panel today functions as a compelling wall sculpture. Its bold graphic composition and centuries-old surface make it equally suitable for antique collections, curated interiors, and contemporary settings seeking a distinctive historic focal point.
Good antique condition with age-related wear, old inactive woodworm traces, surface irregularities, and minor losses to the edges consistent with more than four centuries of age.
Dimensions:
Height: 78,5 cm
Width: 26,5 cm
Depth: 2 cm
Ref. 26-0538
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French Art Deco Oval Mirror with Carved Roses and Silver-Painted Frame, 1920s
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A refined French Art Deco oval wall mirror dating from the 1920s, distinguished by its elegantly carved wooden frame adorned with stylized rose motifs and geometric foliate ornamentation. The design beautifully captures the transition between the lingering decorative influences of Art Nouveau and the cleaner, more structured aesthetics of the Art Deco period.
The oval mirror plate is enclosed within a silver-painted frame featuring sculptural roses at both the crest and base. Flanking the lower section are symmetrical fan-shaped leaf carvings that lend the piece a sense of movement and sophistication. The silver finish has developed an attractive aged patina over time, with areas of wear revealing the darker ground beneath, enhancing the mirror's authentic period character.
Delicate yet decorative, this mirror offers a versatile accent suitable for bedrooms, dressing areas, powder rooms, hallways, or above a console table. Its subtle silver tones allow it to complement both traditional and contemporary interiors while adding a distinctly French decorative touch.
Good vintage condition consistent with age and use. Wear to the silver-painted finish with areas of the darker base showing through. Minor chips and losses to the carved decoration. The photographs are an essential part of the description and should be consulted carefully, as they form part of the condition report and provide the most accurate representation of the item's current state, patina, and character.
Dimensions:
Height: 62 cm
Width: 45,5 cm
Depth: 2,5 cm
Ref. 26-0550
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Impressionist Belgian Wheat Field Landscape Painting, Oil on Canvas, 20th Century
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A charming Belgian Impressionist landscape painting depicting a golden wheat field beneath a vast, cloud-filled sky. Executed in oil on canvas, the composition is characterized by expressive brushwork and thick impasto, creating a rich surface texture that captures the changing light and atmosphere of the countryside.
Three slender trees rise from the horizon, providing a subtle focal point within the expansive landscape. The artist employed a soft, muted palette of warm ochres, pale blues, and gentle greys, evoking the tranquility of the rural Belgian landscape. The heavily textured treatment of the wheat field contrasts beautifully with the airy, loosely painted sky, lending the work both depth and movement.
Presented in a complementary wooden frame, this atmospheric painting would suit both traditional and contemporary interiors, bringing warmth and a sense of calm to any space.
No signature could be identified on the available photographs.
Good condition with normal signs of age and use. The photos form an integral part of the description and condition report of this piece.
Dimensions:
Height: 95,5 cm
Width: 86 cm
Depth: 5,5 cm
Ref. 26-0439
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Art Deco Wrought Iron Plant Stand with Heron and Bulrushes, France, Circa 1920
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A charming French Art Deco wrought iron plant stand dating from the 1920s, featuring an elegant openwork panel depicting a heron standing among stylized bulrushes and reeds. The composition captures the period's fascination with nature interpreted through clean lines and simplified forms, combining decorative appeal with the geometric restraint characteristic of Art Deco design.
The stand is crafted from wrought iron and features a rectangular tray top with a raised edge, ideal for displaying plants, flowers, or decorative objects. The lower panel forms a striking silhouette of a waterside scene, with the graceful heron framed by sweeping reeds and cattails. Scroll feet provide stability while adding a subtle decorative flourish to the overall design.
Layers of old white paint over an earlier green finish have developed an attractive weathered appearance over time. The heavily worn surface, together with areas of oxidation and rust spotting, contributes to the piece's authentic character and rustic charm. These age-related imperfections enhance its appeal as a decorative garden, conservatory, or interior accent.
A distinctive example of French Art Deco metalwork, combining functional design with a stylized naturalistic motif.
Good structural condition with significant age-related wear. Old white paint over an earlier green finish is heavily worn, with visible rust spots, paint loss, surface oxidation, scratches, and patina throughout. The photos form an integral part of the description and condition report of this piece.
Dimensions:
Height: 87,5 cm
Width: 91 cm
Depth: 15 cm
Ref. 26-0532
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